Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink, with brush and watercolor, over graphite, on ivory wove card.

Spanish Chestnut, n.d.

John Ruskin

A work made of graphite on tan laid paper (writing/ink visible through paper).

Untitled, 1944

John Graham

A work made of bronze.

Winged Horse, 1920

John Bradley Storrs

A work made of lithograph in black on ivory wove paper.

Mother and Child, 1952

John Wilson

A work made of oil on copper.

Saint John the Baptist in the Wilderness, c. 1610

Denys Calvaert

A work made of mezzotint in black on ivory wove paper.

Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible, 1831

John Martin

A work made of mezzotint with etching in black on ivory wove paper.

Belshazzar's Feast, from Illustrations of the Bible, 1835

John Martin

A work made of colored woodcut on white japanese paper.

Dancers, n.d.

John Chin Young

A work made of mezzotint with etching in black on ivory wove paper.

The Fall of Babylon, from Illustrations of the Bible, 1835

John Martin

A work made of pastel on paper mounted on linen.

Mrs. Henry Hill (Anna Barrett), c. 1765–70

John Singleton Copley

A work made of gelatin silver print.

The Chicago Auditorium, 1886–89, 1954

John Szarkowski

A work made of lithograph in black on cream wove paper.

John Brown, 1939

John Steuart Curry

A work made of carbon print.

Sir John Herschel, 1867, printed 1875

Julia Margaret Cameron

A work made of engraving in black on ivory laid paper.

St. John on the Island of Patmos, 1550/60

Jean Duvet

A work made of platinum-palladium print.

John Marin, New York, 1947, printed April 1977

Irving Penn

A work made of graphite with smudging and erasing on white wove paper.

Self-Portrait, 1987

John Deom

A work made of oil on canvas.

The Festival, 1875

Sir John Edward Poynter

A work made of mezzotint in black on ivory wove paper.

Fall of the Walls of Jericho, from Illustrations of the Bible, 1834

John Martin

A work made of gelatin silver print.

Tia Juana Oil Field, Western Venezuela, 1944

John Vachon

A work made of engraving on paper.

A Chinese Face, n.d.

John Copley

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