Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink, with brush and watercolor, over graphite, on ivory wove card.

Spanish Chestnut, n.d.

John Ruskin

A work made of graphite on tan laid paper (writing/ink visible through paper).

Untitled, 1944

John Graham

A work made of bronze.

Winged Horse, 1920

John Bradley Storrs

A work made of lithograph in black on ivory wove paper.

Mother and Child, 1952

John Wilson

A work made of mezzotint in black on ivory wove paper.

Adam and Eve Hearing the Judgement of the Almighty, from Illustrations of the Bible, 1831

John Martin

A work made of mezzotint with etching in black on ivory wove paper.

Belshazzar's Feast, from Illustrations of the Bible, 1835

John Martin

A work made of colored woodcut on white japanese paper.

Dancers, n.d.

John Chin Young

A work made of pastel on paper mounted on linen.

Mrs. Henry Hill (Anna Barrett), c. 1765–70

John Singleton Copley

A work made of mezzotint with etching in black on ivory wove paper.

The Fall of Babylon, from Illustrations of the Bible, 1835

John Martin

A work made of gelatin silver print.

The Chicago Auditorium, 1886–89, 1954

John Szarkowski

A work made of graphite with smudging and erasing on white wove paper.

Self-Portrait, 1987

John Deom

A work made of oil on canvas.

The Festival, 1875

Sir John Edward Poynter

A work made of mezzotint in black on ivory wove paper.

Fall of the Walls of Jericho, from Illustrations of the Bible, 1834

John Martin

A work made of gelatin silver print.

Tia Juana Oil Field, Western Venezuela, 1944

John Vachon

A work made of engraving on paper.

A Chinese Face, n.d.

John Copley

A work made of watercolor with rewetting and blotting, over graphite, on thick, moderately textured, ivory wove paper (left and lower edges trimmed).

Landscape in Maine, 1915

John Marin

A work made of mezzotint in black on ivory wove paper.

Fall of Nineveh, from Illustrations of the Bible, 1835

John Martin

A work made of colored crayons with frottage and graphite on lightweight, smooth, ivory wove paper.

House with Hedges and Path, 1914/15

John Marin

A work made of gelatin silver print.

The Chicago Stock Exchange (later 30 North LaSalle Building), 1893–94, 1954

John Szarkowski

A work made of oil on canvas.

Ecce Agnus Dei, c. 1655

Bartolomé Estéban Murillo

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