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A work made of photogravure of photomontage by heartfield, published in aiz 14, number 12, march 21, 1935.

Untitled (Diagnosis), 1935

John Heartfield

A work made of black chalk, with red ink inscriptions, on cream wove paper, prepared with a reddish-brown wash.

Male Ecorché, c. 1810

John Partridge

A work made of charcoal (recto and verso) with stumping on ivory laid paper.

Seated Male Nude with Extended Leg (recto); Sketch of Kneeling Male Nude and Divided Circle (verso), 1917/21

John Singer Sargent

A work made of etching with plate tone on ivory wove paper.

Brooklyn Bridge, No. 6 (Swaying), 1913

John Marin

A work made of watercolor over graphite on ivory watercolor paper.

Sea Apples, n.d.

John Whorf

A work made of mahogany with white pine.

Chest of Drawers, 1760–90

John Cogswell

A work made of graphite with traces of red crayon on yellow tracing paper.

Untitled, 1945

John Graham

A work made of overhead projector, photo-negative glass plate.

One Inch to a Foot, 1971

John Knight

Small wooden bureau with carved half-circle designs, gilded handles.

Bureau Table, c. 1770

John Townsend

A work made of oil on beveled mahogany panel.

Snow Field, Morning, Roxbury, 1864

John La Farge

A work made of oil on canvas.

Water Carriers on the Nile, 1891

John Singer Sargent

A work made of oil on canvas.

Portrait of a Naval Officer, 1749–58

John Wollaston

A work made of letterpress.

Dobry voják Svejk (Good Soldier Schweik), 1936

John Heartfield

A work made of lithograph on ivory wove paper.

Escape in Anguish, 1963

John Hultberg

A work made of brush and black ink on ivory wove paper.

Three Figures, n.d.

John Chin Young

A work made of watercolor and graphite on lightweight, smooth, tan wove paper (right and lower edges trimmed).

New York Skyline, Boats in Foreground, c. 1910

John Marin

A work made of etching on white laid paper, laid down on cream card.

Trinity Church Yard, 1915

John Marin

A work made of lithograph on white nacre paper.

The Shawl, 1963

John Rock

A work made of watercolor with blotting and touches of scraping, and with charcoal with erasing, on moderately thick (estimated), moderately textured, ivory wove paper (right and lower edges trimmed), perimeter mounted to wood-pulp board, faced with ivory paper gilt with silver leaf, in original frame.

Headed for Boston, 1923

John Marin

A work made of oil on copper.

Saint John the Baptist in the Wilderness, c. 1610

Denys Calvaert

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