Nails, from the Second Series of Modern Beauties, August 1936

Ito Shinsui

Yang Guifei, 1765

Komatsuya Hyakki

Fujisawa, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai

Lovers under an Umbrella in the Snow, c. 1767/68

Suzuki Harunobu

Bamboo Grove, About 1920

Imao Keinen

Standing Courtesan, c. 1715

Kaigetsudo Dohan

Women Washing Clothes, c. 1788

Torii Kiyonaga

Yoshiwara: Mount Fuji on the Left (Yoshiwara, hidari Fuji), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido, c. 1833/34

Utagawa Hiroshige

Southern Barbarians, mid 17th century

Courtesan Reading a Letter, c. 1745

Ishikawa Toyonobu

Hanaogi of the Ogiya, from the series "Renowned Beauties Likened to the Six Immortal Poets (Komei bijin rokkasen)", c. 1795/96

Kitagawa Utamaro

The Courier Kantan dreaming of Himself as a Daimyo (Hikyaku Kantan: yume no daimyo), no. 8 from a series of 12 prints depicting parodies of plays, c. 1716/35

Okumura Masanobu

Actor Nakamura Noshio I as the Fox-Wife from Furui in “First Performance Day of the Izu Calendar” (“Izu-goyomi Shibai no Ganjitsu”), About 1772

Katsukawa Shunsho

Birds of the Capital (Miyakodori), c. 1802

Katsushika Hokusai

Descending Geese at Shinobazu Pond (Shinobazu rakugan), from the series "Eight Views of the Eastern Capital (Toto hakkei)", 1836/37

Utagawa Hiroshige

Atsuita karaori (Noh Costume), Edo period (1615–1868), 1775/1800

Cat Pawing at Goldfish, c. early 1770s

Isoda Koryusai

An American Mercantile Building in Yokohama (Yokohama ijin shokan no zu), 1861

Utagawa Sadahide

Woman Combing her Hair (Portrait of Kodaira Tomi), 1920

Hashiguchi Goyô

Kambara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)", c. 1806

Katsushika Hokusai