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A work made of linen and wool, tapestry weave.

Fragment, 1st-5th century

Ancient Egyptian

A work made of tempera on panel.

The Continence of Scipio, c. 1455

Workshop of Apollonio di Giovanni

A work made of linen and wool, tapestry weave.

Fragment, 7th century

A work made of wool, tapestry weave; embroidered.

Fragment, 6th-8th century

A work made of linen and wool, plain weave and slit tapestry weave with eccentric and supplementary wrapping weft details.

Roundel Fragment, 4th-5th century

Ancient Egyptian

A work made of wool, slit tapestry weave.

Fragment, 5th-6th century

Ancient Egyptian

A work made of linen and wool, plain weave; uncut pile weave.

Fragment, 5th-6th century

Ancient Egyptian

A work made of limestone.

Chak Ak’ Paat Kuy ("Red Turkey") Playing the Ballgame, 650-700

Maya

A work made of linen and wool, tapestry weave.

Fragment of a Tunic, 1st-5th century

Ancient Egyptian

A work made of linen and wool, plain weave with supplementary wrapping wefts forming uncut loop pile and insets of slit and dovetailed tapestry weave with eccentric and supplementary wrapping weft details.

Fragment, 5th-6th century

A work made of linen and wool, slit tapestry weave.

Fragment, 5th-6th century

A work made of oil on canvas.

Homer Dictating, 1660–65

Pier Francesco Mola

A work made of linen and wool; tapestry weave with inlaid pattern.

Fragment, 4th-5th century

Ancient Egyptian

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of bronze.

Portrait of Balzac, Modeled 1893, cast 1926–33

Auguste Rodin

A work made of etching on ivory wove paper.

The Seven Stone Weakling from "A rake's progress" 3a, 1961–1963

David Hockney

An older black woman in white bonnet, wire glasses, long dress, and shawl sits holding yarn. She looks at the camera thoughtfully, one hand raised, with her elbow resting on a small table. Beneath her is the caption "I sell the shadow to support the substance. Sojourner Truth."

Untitled ("I Sell the Shadow to Support the Substance"), 1864-65

Sojourner Truth

Cup and Saucer

Cup and Saucer, 19th century

A work made of tempera on panel, transferred to canvas mounted on pressed hardboard and cradled.

The Assassination and Funeral of Julius Caesar, 1455/60

Workshop of Apollonio di Giovanni

A work made of lithograph in black on ivory wove paper.

Historic Fact, n.d.

Pierre Roch Vigneron

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