Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Halloween, c. 1950, printed c. 1950

Saul Leiter

A work made of dye imbibition print.

Halloween, Morton, Mississippi, 1970

William Eggleston

A work made of chromogenic print.

Halloween Party, Rainbow House, 1991

Angela Kelly

A painting of strange and surreal scene in a desert landscape with mountains in the background. The scene features a giraffe that is on fire, disembodied forms and faces, and skeletal figures.

Inventions of the Monsters, 1937

Salvador Dalí

Color photograph of a light-skinned woman in a long wig and pale bodysuit, holding a red apple, costumed figures behind her.

"Eve" appearing at Halloween Dance. 2740 N. Clybourn Ave. (just South of Diversey), October 31, 1988, 11:30 PM

Melissa Ann Pinney

A work made of gelatin silver print, no. 5 from the portfolio "maxwell street collection" (2005).

Halloween, Maxwell Street, 1965

Jack A. Jaffe

A work made of chromogenic print.

Mother and Daughter, Halloween, Chicago, 1987

Melissa Ann Pinney

A work made of oil on canvas.

Haunted House, 1930

Morris Kantor

Painting depicting the god Hercules confronting the Hydra, a mythical creature. Amidst towering, rocky cliffs, Hercules stands on the left of the painting, dressed in clothing that exposes his figure. He looks to the right, where the seven-headed hydra rears up, bearing its teeth. A nude figure of a woman is on the ground in front of the Hydra, and an orange sun peeks from behind red clouds in the background.

Hercules and the Lernaean Hydra, 1875–76

Gustave Moreau

A color woodblock print of a ghostly skeletal figure, pulling down a shear blue cloth, sticks its head out from the darkness. From the left, wisps of orange and black, escape.

Kohada Koheiji, from the series "One Hundred Ghost Tales (Hyaku monogatari)", 1831-32

Katsushika Hokusai

A woodblock print of a human skeleton prancing toward a female figure, cowering on the floor in front of a decorative screen. The background is a deep black.

Ichikawa Danjūrō V as a Skeleton, Spirit of the Renegade Monk Seigen, and Iwai Hanshirō IV as the Cherry Princess, in “Flower of Edo: An Ichikawa Saga” (Edo no Hana Mimasu Soga), c.1783

Katsukawa Shunsho

A work made of charcoal on tan wove paper.

Death of Jezebel, 1880

James Ensor

A work made of acrylic on canvas.

F House, 1987

Ed Ruscha

A work made of oil on panel.

A Witches' Sabbath, c. 1650

Cornelis Saftleven

A work made of etching on ivory laid paper.

Death on a Pale Horse, 1784, after the drawing of 1775

Joseph Haynes

A work made of pen and brown ink with black fabricated chalk, opaque and transparent watercolors, touches of lead white and white chalk, and traces of red fabricated chalk on cream wove paper.

Allegory of Death, c. 1860

Clement Auguste Andrieux

A work made of woodblock print; surimono.

A Bat Flying near a Pine Tree, 19th century

Issho

A color wood block print of a human ghost head with long black hair and blue/white plates for a spine, emerging out of a broken barrel shape

The Mansion of the Plates (Sara yashiki), from the series "One Hundred Ghost Tales (Hyaku monogatari)", 1831-32

Katsushika Hokusai

A work made of color lithograph on ivory wove paper.

Wilhelm I, King of Prussia, from Les Génies de la Mort, 1870

Edmond Guilliaume

A work made of engraving in black on ivory laid paper.

Witch Riding Backwards on a Goat, 1500/02

Albrecht Dürer

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