Curator

  • Art Institute Chicago
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A work made of gelatin silver print.

John Marin, 1921/22

Alfred Stieglitz

A work made of gelatin silver print.

Blast Furnace and Dust Catcher, Ford Plant, 1927

Charles Sheeler

A work made of gelatin silver print.

Winter Zero Swartzel's "Bottle Farm," Farmersville, Ohio, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print.

New York, 1978

Kenneth Josephson

A work made of gelatin silver print.

Mexican Woman, Snelling, California, 1935

Ansel Adams

A work made of gelatin silver print.

Civilian Defense, 1942, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Lisa Lyon, Joshua Tree, 1980

Robert Mapplethorpe

A work made of gelatin silver print, plate 4 from the portfolio "portfolio v" (1970).

Moon and Clouds, Northern California, 1959, printed 1970

Ansel Adams

A work made of gelatin silver print.

Little Mother, Pittsburgh, 1909

Lewis Wickes Hine

A work.

Love is Blind, 1990

Karen Savage

A work made of gelatin silver print.

Tina [nude on the azotea], 1923, printed 1953/54

Edward Weston

A work made of gelatin silver print.

A Child's Grave, Hale County, Alabama, 1936

Walker Evans

A work made of gelatin silver print, brown-toned.

La Curios, c. 1915

Clarence H. White

A work made of gelatin silver print.

Alexander Liberman, Warren, CT, 1977, printed April 2000

Irving Penn

A work made of gelatin silver print.

Portrait of Neil Weston, 1943

Edward Weston

A work made of gelatin silver print.

Roundhouse, R.I.R.R., El Reno, Oklahoma, 1948

Charles Rotkin

A work made of gelatin silver print, from "the americans" (1955/56).

Men's Room, Railway Station, Memphis, Tennessee, 1955/56

Robert Frank

A work made of gelatin silver print.

Dorothy True, 1919

Alfred Stieglitz

A work made of gelatin silver print.

Little Girl Standing At Entrance To A Gallery, 1909

Lewis Wickes Hine

A group of people of varying skin tones stand in line, some of them holding baskets and bags. Behind them is a billboard with a picture of four smiling, light-skinned figures in a car, under the slogan "World's Highest Standard of Living. There's no way like the American Way."

World's Highest Standard of Living, 1937, printed later

Margaret Bourke-White

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