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A work made of watercolor on ivory.

A Gentleman, c. 1810–20

Benjamin Trott

A work made of soft ground etching and aquatint on light blue laid paper.

Tragic Figure, 1919–20

Arthur B. Davies

Black-and-white photograph of an empty cobblestone alley, with small trash piles and an overturned bucket in the foreground.

Charles Lane, Between West and Washington Streets, September 20, 1938

Berenice Abbott

A work made of brush and brown wash and blue-gray gouache (the latter added by a later hand), over black chalk(?), on tan laid paper, laid down on ivory wove card (3 sections cut from original sheet).

Virgin and Child with the Infant John the Baptist, and Saints Francis of Assisi and Clare, n.d.

Felice Brusasorci

A work made of pen and black ink on tan wove tracing paper, laid down on cream wove card.

The Studio, 1917/20

Constantin Brancusi

A work made of silver, leather, turquoise, and copper alloy.

Bow Guard (Ketoh), 1900–20

Diné (Navajo)

A work made of white pine and painted decoration.

Chest, 1805–20

Artist unknown

A work made of albumen print.

Barmouth, the Quay and Ty Gwyn, 1860/94

Francis Bedford

A work made of albumen print.

Coventry, St. Mary's Hall, Entrance Gateway, 1860/94

Francis Bedford

A work made of albumen print.

Gloucester, Courtyard of New Inn, 1860/94

Francis Bedford

A work made of albumen print.

Tintern Abbey, 1860/94

Francis Bedford

A work made of lithograph on cream wove paper.

Polo, n.d.

Francis Chapin

A work made of albumen print, pl. 37 from the album "egypt and palestine, volume i" (1858).

The North Shore of the Dead Sea, 1857

Francis Frith

A work made of wild silk, plain weave; block printed.

Panel, c. 1900

Charles Francis Annesley Voysey

A work made of lithograph on ivory wove paper.

The Black Bull, April 20, 1947

Pablo Picasso

A work made of engraving in black on ivory laid paper.

The Virgin and Child with Saint Anne at the Cradle, 1515/20

Albrecht Altdorfer

A work made of steel.

Close Helmet, c. 1510/20

Earthenware pitcher with swirly designed handle and luster leaf patterns decorated with a chest-high portrait of a dressed-up lady looking left.

Pitcher with Images of Prince Leopold and Princess Charlotte, 1810/20

A work made of cotton, warp-float faced 2:1 twill weave with supplementary pile wefts forming cut solid "velvet"; block printed.

Fragment, 1875/1925

Charles Francis Annesley Voysey

A work made of color woodblock print; edition 4/20.

The Observing Eye, 1959

Azechi Umetaro

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