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A work made of etching on ivory laid paper.

Kensington Gardens, No. I (small plate), 1859

Francis Seymour Haden

A work made of drypoint on copper printed on ivory laid paper.

Challow Farm, c. 1877

Francis Seymour Haden

A work made of lithograph in black on cream wove paper.

Making Sailors: Duff, plate 20 from The Great War: Britain's Efforts and Ideals, 1917

Frank Brangwyn

A work made of soft ground etching, with aquatint, on ivory wove paper.

Tartessians, 1919–20

Arthur B. Davies

A work made of silver.

Denarius (Coin) Portraying Plautilla, 202-205, issued by Septimius Severus

Ancient Roman

A work made of oil on panel transferred to canvas.

King Solomon Receiving the Queen of Sheba, 1515–20

Master of the Antwerp Adoration Group

A work made of lithograph on paper.

View of Chicago, n.d.

Francis Chapin

A work made of lithograph on paper.

International Livestock Exposition, n.d.

Francis Chapin

A work made of albumen print, pl. 13 from the album "egypt and palestine, volume i" (1858).

Nablous, The Ancient Shechem, 1857

Francis Frith

A work made of albumen print, pl. 6 from the album "egypt and palestine, volume ii" (1858/60).

Distant View of Damascus, 1857

Francis Frith

A work made of engraving on paper.

Apollo, plate 20 from Apollo and the Muses, c. 1465

Master of the E-Series Tarocchi

A recumbent, full-figured nude rendered in pink and gray geometric shapes, her hands above her head, on a gray and blue ground, a brown tree with sparse needles behind her.

Nude under a Pine Tree, January 20, 1959

Pablo Picasso

A work made of etching with drypoint on ivory laid paper.

Battersea Reach, 1863

Francis Seymour Haden

A work made of watercolor and graphite, on tan wove paper, tipped onto cream board.

Four Sketches of Arab Men, 1832

Eugène Delacroix

A work made of oil on panel.

Aeneas Rescuing Anchises from Burning Troy, 1605/20

Hendrick van Steenwijck, the Younger

A work made of oil on panel.

Landscape with Tournament and Hunters, 1519–20

Jan van Scorel

A work made of etching and drypoint on cream laid paper.

Combe Bottom, 1860

Francis Seymour Haden

A work made of pen and brown ink, with brush and gray and brown wash and traces of graphite, on cream laid paper, laid down on tan laid paper.

Saint Francis of Assisi, with two Monks of his Order, after 1611/12

Guido Reni

A work made of pen and brown ink, with brush and brown wash, over black chalk, on tan laid paper.

Saint Francis Adoring Virgin and Child, n.d.

Luigi Garzi

A work made of lithograph on paper.

Railroad Yard, Duluth, n.d.

Francis Chapin

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