Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color lithograph on cream wove paper.

Untitled, plate nine from See America First, September 20–October 3, 1968

H. C. Westermann

A work made of glass; colorless, double-walled, blown, cut, enameled and gilded, encasing cut and painted paper.

Double-Walled Beaker, c. 1800/20

A work made of earthenware with purple lustre decoration.

Salt, 1810/20

A work made of earthenware with purple lustre decoration.

Salt, 1810/20

A work made of hand-colored etching on paper.

An Old Maid on a Journey, published November 20, 1804

James Gillray

A work made of brush and gray wash, over black chalk, on cream laid paper, laid down on ivory laid paper.

River Scene, n.d.

Claude Lorrain

A work made of color woodblock print; oban.

Fuchu: Miroku nichome, Abekawa (Fuchu, Abekawa Miroku nichome), no. 20 from the series "Famous Sights of the Fifty-three Stations (Gojusan tsugi meisho zue)," also known as the Vertical Tokaido, 1855

Utagawa Hiroshige

A fragment of stone shows a figure drawn in black. He stands with his body facing the viewer, his head turned to the side, in elaborate attire—a headdress, necklace, arm bands, and a garment on his lower half, He holds a staff topped with a ram's head.

Ostracon with a Drawing of a King, New Kingdom, mid-Dynasty 19–Dynasty 20, about 1213–1069 BCE

Ancient Egyptian

A work made of halftone relief print.

Peter Gowland, No. 20 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

A work made of sepia-toned gelatin silver print.

Portrait of Margaret Mower, c. 1919/20

Arnold Genthe

A work made of hand-colored etching on paper.

Britannia Between Death and the Doctors, published May 20, 1804

James Gillray

A work made of transfer lithograph on cream wove paper.

Supplication, 1919–20

Arthur B. Davies

Extérieur de St. Étienne-du-Mont a Paris

Extérieur de St. Étienne-du-Mont a Paris, c. 1867

Charles Soulier

A work made of rotogravure, from the book "childhood" (1910/20).

Prognostications, 1910/20

Cecilia Bull Hunter

A work made of lithograph in black on white wove paper.

“My dear man... it is really quite impossible for me to take on your case.... you are missing the most important piece of evidence.... (apart from) the cash to pay my fees,” plate 20 from Les Gens De Justice, 1846

Honoré-Victorin Daumier

A work made of etching on ivory laid paper.

Plate 20, from Landscapes with Scenes from the Old and New Testament and Ovid’s Metamorphoses, 1574

Hans Bol

A work made of silk, plain 1:1 gauze weave with supplementary brocading wefts.

Shawl, c. 1815/20

A work made of gelatin silver print.

Underfoot XXXIII, New York, August/September 2000, printed November 20, 2000

Irving Penn

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 6–7 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.8–1.0 mm weft: count: varies from 20 to 34 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.3–1.1 mm; silk; s-ply of two z-twisted elements; pairs of s-ply of two z-twisted elements; three yarns of s-ply of two z-twisted silk elements; diameters: 0.7–1.2 mm.

Diana and Her Nymphs with the Ox Hunt, c. 1600

Hans Bol

A work made of black chalk on buff laid paper, laid down on buff laid paper.

Italianate Landscape with Castle, n.d.

Circle of Adriaen Frans Boudewyns

<<<34353637 >>>