Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of platinum print.

F. Holland Day in Algerian Costume, c. 1901

Frederick H. Evans

A work made of gelatin silver print.

Untitled, 1963

Enrico Sarsini

A work made of albumen print, mounted on cabinet card stock.

Portrait of Franz Liszt, c. 1870–86

Paul Nadar

A work made of brown and red chalks on buff wove paper, hinged to cream wove paper.

Study for Festival, c. 1875

Sir John Edward Poynter

A work made of pen and ink, two page, double-sided autograph letter, signed julia margaret cameron.

Autograph Letter, 20 June 1875

Julia Margaret Cameron

A work made of gelatin silver print, no. 4 from "portfolio three: yosemite valley" (1959).

Trees and Snow, 1933, printed 1959

Ansel Adams

A work made of daguerreotype.

Untitled (Niagara Falls), c. 1853

Platt D. Babbitt

A work made of gelatin silver print.

George Platt Lynes, 1930/39, printed 1959

George Hoyningen-Huene

A work made of bronze.

Noco-To-Mah—So Cheyenne Geary Oklahoma, 1912

Edward Warren Sawyer

A work made of aquatint with etching in black on cream laid paper.

Flood Time, Pearl Street, Cincinnati, 1917

Edward Timothy Hurley

A work made of color lithograph on cream wove paper.

Greet the Sun, 1939

Edward Purser Lancaster

A work made of gelatin silver print.

Abstraction, 1938/62

Rosalee Vogel

A work made of gelatin silver print.

Late Afternoon Shadows, 1922

Johan Hagemeyer

A work made of gelatin silver print.

Juvisy, France, 1955, printed 1956

Henri Cartier-Bresson

A work made of photogravure.

Peasant Father and His Son, 1842

Armand-Hippolyte-Louis Fizeau

A work made of gelatin silver print.

Peruvian Child Seated by a Wall, 1960/79

Robert Ebersole

A work made of gelatin silver print.

Michelangelo's David, c. 1960s

Jack A. Jaffe

A work made of albumen print.

Versailles, Vase, 1906/07

Jean-Eugène-Auguste Atget

A work made of oil on canvas.

The Storm, 1876

George Inness

Woman from Arles (L'Arlésienne)

Woman from Arles (L'Arlésienne), 1952, printed later

Emmy Andriesse

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