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A work made of internal dye diffusion transfer print.

Bob Colacello, August 1973

Andy Warhol

A work made of internal dye diffusion transfer print.

Sitting, February 8, 1979

Lucas Samaras

A work made of internal dye diffusion transfer.

Iconographic Art Lunches #1: The School of the Museum of Fine Arts, Boston: Submarine Sandwich: Salami, cheese, lettuce, sliced tomatoes, buns, lunch meat; Museum of Fine Arts, Boston: Salad Bar: (cont.), 1984

Robert Heinecken

A work made of internal dye diffusion transfer print.

Nude Model (Male), 1977

Andy Warhol

A work made of internal dye diffusion transfer print.

Sitting, 1978

Lucas Samaras

A work made of dye imbibition print.

Bullet through Banana, 1964

Harold Eugene Edgerton

A work made of silver dye-bleach print.

Jew Town Polish, from the series "Hot Dog Stands", 1988

Patty Carroll

A work made of manipulated internal dye diffusion print..

Photo-Transformation, July 30, 1976

Lucas Samaras

A work made of internal dye diffusion transfer print.

Sitting, February 24, 1980

Lucas Samaras

A work made of internal dye diffusion transfer print.

Nude Model (Male), 1977

Andy Warhol

A work made of dye imbibition print.

Aspens, Twining, New Mexico, 1949

Eliot Porter

A work made of internal dye diffusion transfer print.

Two Part Self-Portrait, 1989

Chuck Close

A work made of internal dye diffusion transfer prints (6), with graphite.

HE/SHE That's a Very Nice Place for a Mole, May 1977

Robert Heinecken

A work made of dye imbibition print.

Spotted Towhee, 1941/64

Eliot Porter

A work made of internal dye diffusion transfer print.

Nude Model (Male), 1976

Andy Warhol

A work made of dye imbibition print.

Soccer Player, 1984

Jay Maisel

A work made of manipulated internal dye diffusion print.

Photo-Transformation, 1973

Lucas Samaras

A work made of 60 panels joined: cotton, plain weave; resist-dyed indigo.

Ndop Display Cloth, Early/mid–20th century (before 1937)

Bamum

A work made of silver dye-bleach print, from the portfolio "recto/verso" (1989).

Recto/Verso #2, 1988

Robert Heinecken

A work made of dye imbibition print.

Street Busker, Paris, France, 1967, printed in 1983

Joel Meyerowitz

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