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A work made of silver dye-bleach print, no. 60 from the portfolio "rodeo drive" (1984).

Rodeo Drive #60, 1984, printed c. 2014

Anthony Hernandez

A work made of cotton, plain weave; block printed.

Honeysuckle, Design 1876

William Morris

A work made of silk, plain weave; stenciled and resist dyed and painted (yûzenzome: utsushinori); back: lined with silk, plain weave; stenciled and resist dyed (yûzenzome: suri yûzen-zome, suri bokashizome, shigokizome utsushinori yûzenzome); outer sleeve lined with wool, plain weave; stenciled and resist dyed (yûzenzome: utsushinori yûzenzome).

Haori, 1920/26, Taishô period (1912–1926)

A work made of linen and cotton plain weave; block printed.

Printed Fabric, 1780s

Oberkampf Manufactory

A work made of internal dye diffusion transfer print.

Cuneiforms 6, 1990

Alan Cohen

A work made of internal dye diffusion transfer print.

Untitled (Quarry) 2, 1985

Alan Cohen

Globular Cluster 47 Tucanae NGC 104, from the series Capturing Ancient Light

Globular Cluster 47 Tucanae NGC 104, from the series Capturing Ancient Light, n.d.

David Malin

A work made of cotton, plain weave; painted and resist-dyed.

Chintz Curtain, First quarter 18th century

A work made of rayon, plain weave; stenciled and resist dyed.

Hitotsumi (Boy's kimono), Taishô period (1912–1926)/ Shôwa period (1926–1989), c.1920/40

A work made of cotton, plain weave; resist dyed.

Panel, 1980s

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

The Arch, c. 1980

Joel Meyerowitz

A work made of dye imbibition print, from the portfolio "st. louis and the arch" (1980).

4th between Market and Chestnut, c. 1978

Joel Meyerowitz

A work made of silver dye-bleach print.

Hot Dog Stands: Temporary Stand on Illinois Street, from the series "Hot Dog Stands", 1987

Patty Carroll

A work made of silver dye-bleach print.

The Damas (Maids of Honor) go from the Church to the Reception in a Ford Explorer limousine at Ruby's Quinceanera, Huntington Park, California, from the series "Girl Culture", 2001

Lauren Greenfield

A work made of cotton and silk, plain weave with supplementary pile warps forming cut solid velvet; stamped.

Utrecht Velvet, Design c. 1871

William Morris

A work made of dye imbibition print, no. 4 from the portfolio "katsura" (1996).

Second Room, Left, and the Main Room, Right, of the Middle Shoin, Viewed from the Northeast, 1980

Yasuhiro Ishimoto

A work made of dye imbibition print.

Back of Truck, 1952

Arthur Siegel

A work made of internal dye diffusion transfer print.

Spatial poem reply 2, 2015

Kemang Wa Lehulere

A work made of linen, warp ikat dyed; plain weave.

Black & White II, 1980

Han-Lien Wu

A work made of cotton, plain weave; block printed and resist dyed.

Heirloom Textile, 17th century (?)

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