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A work made of silver dye-bleach print.

Superdawg, from the series "Hot Dog Stands", 1988

Patty Carroll

A work made of dye diffusion print.

Untitled, from the series "Wild West", 1989

David Levinthal

A work made of wool; single interlocking tapestry weave; twined edges.

Wearing Blanket (Phase II), 1850-65

Diné (Navajo)

A work made of cotton, plain weave; block printed.

Corncockle, Design 1883, made 1917–25

William Morris

A work made of four panels joined: wool, plain weave triple cloth.

Tulip and Rose, Design 1876

William Morris

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Wave, Lave, Lace, Pescadero Beach, California, March 1978, printed c. 1981

John Pfahl

A work made of silver dye-bleach print.

Unidentified Aircraft, 1994

Calum Colvin

A work made of cotton, plain weave; hand-painted, resist dyed (tsutsugaki); four loom widths joined.

Futon Cover (Futonji), Meiji period (1868–1912), 19th century

A work made of dye imbibition print.

State Street, Chicago, 1965

Arthur Siegel

A work made of dye imbibition print.

Untitled, c. 1950/70

Charles Pratt

A work made of cotton, twill weave with supplementary pile wefts forming cut "velveteen"; block printed.

Acanthus, Design 1876, made 1877–1917

William Morris

A work made of internal dye diffusion transfer print.

Mr. Demos, September 1983

Andy Warhol

A work made of silk, warp-faced plain weave; warp-dyed (ikat); binding: plain weave; lining on reverse: cotton, warp-float faced satin weave.

Wall Hanging Composed of Three Panels, 1825/75

A work made of silk, plain weave with creped wefts; stenciled and resist dyed.

Furoshiki (Wrapping Cloth), early Shôwa period (1926–1989), about 1926/35

A work made of internal dye diffusion transfer print.

Unidentified Woman (High Forehead, Thin Eyebrows), March 1980

Andy Warhol

A work made of silk and gilt-metal-strip-wrapped cotton, warp and weft resist-dyed (warp and weft ikat) warp-float faced 4:1 satin weave with supplementary patterning wefts; woven on a loom with a jacquard attachment.

Panel, 1920s

Coudurier-Fructus-Descher

A work made of silver dye-bleach print.

Untitled, from the series Room Sets, 1984

Barbara Karant

A work made of dye imbibition print, from the portfolio "altered landscapes: the photographs of john pfahl," (1981).

Six Oranges, Buffalo, New York, 1975, printed c. 1981

John Pfahl

A work made of cotton, plain weave; hand-drawn wax resist dyed (batik tulis).

Kain Panjang (Hip Wrapper), Mid–20th century

A work made of silver dye-bleach print.

Tree, 1987

Michal Rovner

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