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A work made of soft ground etching, with drypoint and aquatint, on cream wove paper.

Strength in Shadow, 1919

Arthur B. Davies

A work made of drypoint on cream wove paper.

Man, 1935

Milton Avery

Black marks on a white paper include a mixture of curved, straight, and intersecting lines as well as patches of hatching. The word "fox" in capital letters is written in the upper middle right.

Fox, 1911, published 1912

Georges Braque

A work made of graphite, with smudging and erasing, on buff wove paper.

Seated Female Nude, 1960

Larry Rivers

A work made of ink on tracing paper.

Gene and Nancy Bavinger House, First Floor Plan with Paving Pattern, Norman, Oklahoma, Design Drawing, 1950–1951

Bruce Goff

A work made of wood engraving on grayish-ivory china paper.

Dance of Death, II, plate 17 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of zincograph in black on cream laid paper.

Barber Shop Chord, 1931

Stuart Davis

A work made of etching on off-white wove paper.

The Arch of Septimus Severus, 1820

Luigi Rossini

A work made of etching, soft ground drypoint and aquatint on buff laid paper.

At the Café des Ambassadeurs, 1879–80

Hilaire Germain Edgar Degas

A work made of lithograph on cream wove paper.

Marie-Louise Marsy, from Treize Lithographies, 1898, published before 1906

Henri de Toulouse-Lautrec

A work made of woodcut illuminated on vellum, with miniature on verso.

Crucifixion with the Virgin Mary and Saint John (recto); Saint Sebald with the Donors Paul Volkmayr and Sebald Schreyer (verso), c. 1485–90

Unknown artist

A work made of engraving on paper.

Anne of Austria, Queen of France, 1660

Robert Nanteuil

A work made of etching on ivory china paper laid down on white wove paper (china paper collé).

Mower Honing a Scythe, 1878

Jules Bastien-Lepage

A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

Patti Adams Shriner House and Studio, Riverside Studio, Tulsa, Oklahoma, Design Drawings

Patti Adams Shriner House and Studio, Riverside Studio, Tulsa, Oklahoma, Design Drawings, 1928

Bruce Goff

A work made of lithograph in black on buff wove paper.

A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone, 1821

Jean Louis André Théodore Géricault

A working drawing of details for a roof and the section of a floor with an in-built bed. Multiple printed and sketched notes.

Eugene and Nancy Bavinger House, Norman, Oklahoma, Section of Suspended Bedroom Area and Detail of Cable-Strut Connection at Roof, Norman, Oklahoma, Detail Drawing, 1950–1951

Bruce Goff

A work made of wood engraving on grayish-ivory china paper.

The Reply of Madame Snail, plate 6 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of etching and aquatint in black and blue on ivory wove paper.

They Can't Stay Together, n.d.

Keith Achepohl

A work made of pastel and colored pencils, with graphite, and blue and black fiber-tipped pen, on white wove paper.

Untitled, 1972

Roy De Forest

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