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A work made of chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper.

Saint Mark Saving a Slave from Torture, from Opera Selectiora, 1745

John Baptist Jackson

Inside the form of a letter D are seven men in red and blue robes, one with a triangular hat, at a long table covered in white cloth.

Bishop at Mass in a Historiated Initial "P" from a Choirbook, c. 1300

Master Honoré

A work made of lithograph in black on buff wove paper.

A French Farrier, plate 12 from Various Subjects Drawn from Life on Stone, 1821

Jean Louis André Théodore Géricault

A work made of wood engraving on grayish-ivory china paper.

Dance of Death, II, plate 17 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of etching and aquatint in black and blue on ivory wove paper.

They Can't Stay Together, n.d.

Keith Achepohl

A work made of pastel and colored pencils, with graphite, and blue and black fiber-tipped pen, on white wove paper.

Untitled, 1972

Roy De Forest

A work made of engraving and etching on paper.

Hyacinthe Rigaud, 1698

Gérard Edelinck

A work made of pen and black ink, on cream tracing paper, laid down on ivory wove paper.

The Crevasse, 1860

Rodolphe Bresdin

A work made of color offset lithograph on paper.

Canto IX, from Rauschenberg: XXXIV Drawings for Dante's Inferno, 1964

Robert Rauschenberg

A work made of color offset lithograph on paper.

Canto XXXIV, from Rauschenberg: XXXIV Drawings for Dante's Inferno, 1964

Robert Rauschenberg

A work made of etching on buff japanese paper.

Lovers on the Bench, plate fifteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of lithograph in black on white wove paper.

The Engagement of an Artist. “- So you want an engagement in my theatre..... very well Mademoiselle...... since you are so pretty, it will be 1200 Francs.... that's of course what you will be paying me each year! - I accept... under the condition that I will not get a raise!,” plate 72 from Les Beaux Jours De La Vie, 1845

Honoré-Victorin Daumier

A work made of wood engraving on grayish-ivory china paper.

The Reply of Madame Snail, plate 6 from Méndez: 25 Prints, 1945

Leopoldo Méndez

A work made of woodcut in black ink on lightweight ivory laid proofing paper.

Anxiety, 1896

Edvard Munch

A work made of lithograph in black on white wove paper.

“- Here, Eudoxie, take my bear skin... since from now on I will not have the pleasure any more to wear it, I give it to you to make a muff out of it... This way I have at least the satisfaction of seeing it from time to time”, 1848

Honoré-Victorin Daumier

A work made of etching on ivory laid paper.

Le Midi (Midday, from Quatre parties du jour), c.1778

Emmanuel Jean Nepomucene de Ghendt

A work made of lithograph in black on light gray china paper, laid down on ivory wove paper.

Masks and faces, 1857–58

Paul Gavarni

A work made of lithograph in black on tan china paper, laid down on ivory wove paper.

Mme. Horace Vernet, 1818

Jean-Baptiste Isabey

A work made of lithograph in black on ivory wove paper.

The Family of Saltimbanques, February 16, 1954

Pablo Picasso

A work made of etching in black on ivory laid paper.

Moles, 1854

Félix Henri Bracquemond

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