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A work made of hand-colored engraving on paper.

The Prodigal Son Receiving His Patrimony, n.d.

Amos Doolittle

A work made of engraving and rocker on white wove paper.

Juin, 1951

Henri Georges Adam

A work made of etching on paper.

Three Soldiers and a Boy, from Capricci, c. 1740, published 1785

Giovanni Battista Tiepolo

A work made of brush with india ink on paper.

Priam Offering Gifts, 1962

Leonard Baskin

A work made of lithograph in black on cream wove paper.

After the Bath III, 1891–92

Hilaire Germain Edgar Degas

A work made of etching and drypoint on buff japanese paper.

At the Easel, plate eighteen from Mein Leben, 1922, published 1923

Marc Chagall

A work made of etching on paper.

Taking the Firing Position with the Musket, plate eight from The Military Exercises, published 1635

Jacques Callot

Large painting, standing man blue turtleneck, sitting woman with white collar

Bald Painter Before his Easel, plate six from Le Chef d'oeuvre inconnu, 1927, printed and published 1931

Pablo Picasso

A work made of text and cover with 67 wood engravings, bound with black tooled leather spine gilded with the title, artist and date, and corners over canvas-covered boards embellished with an impression of the cover wood engraving in gold. 12 etchings hors-texte stored separately..

Le Chef d'oeuvre inconnu, published 1931

Pablo Picasso

Etching of four tall oak trees standing together amid thick, lush ground cover and trees with dense foliage.

Old Oaks at Bas Bréau, c. 1865

Adolphe Martial Potémont

Two cocoon-like objects drawn in yellow, with a background drawn in green suggesting an organic design.

Untitled, 1955

Kurt Seligmann

A work made of graphite and colored markers on white tracing paper.

Pop-Corn Poppers for Presto, Design Drawings, 1979–1980s

Mel Boldt and Associates

A work made of lithograph printed from five stones in violet, orange, green and two shades of blue on paper.

Moonlit Night at the Stable Door, 1919

Ernst Ludwig Kirchner

A work made of lithograph in black on cream wove paper.

Les-Parents-Terribles series: A lovely play, always the same, 1853

Paul Gavarni

A work made of engraving in black on cream laid paper.

Simon Vouet, 1630/36

Robert van Voerst

A work made of brown charcoal, with stumping, erasing and black charcoal (recto) and brown charcoal (verso) on cream laid paper.

Study, c. 1899

Édouard Jean Vuillard

A work made of soft ground etching, with drypoint, on ivory wove paper.

Repose, 1919

Arthur B. Davies

A work made of zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat.

At the Concert, 1896

Henri de Toulouse-Lautrec

A work made of linen, plain weave; appliquéd with medallion of silk, satin weave; appliquéd with padded linen, plain weave; embroidered with wool, silk, cotton and silk- wrapped cotton and silk and cotton tubular braided cord in satin, single satin, split, and stem stitches; laidwork and couching; glass eye and appliquéd with silk, plain weave with supplementary pile warps forming cut solid velvet; embroidered with silk and silk-wrapped cotton in paper padded satin stitches; couching.

Myddelton Biddulph Armorial Medallion, c. 1846

Augustus Welby Northmore Pugin

Painting of a back view of various people assembled at water's edge watching boats sail across blue water.

Yacht Race, c. 1896–97

Maurice Brazil Prendergast

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