Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A somewhat abstract, textured painting in shades of gray, brown, and orange suggesting an endless expanse of scorched, cratered earth traversed by thin lines receding diagonally into the horizon.

The Order of the Angels (Die Ordnung der Engel), 1983/84

Anselm Kiefer

A work made of digital chromogenic print; edition number six of ten.

Untitled, 2000/01

Gregory Crewdson

A work made of gouache on board.

Above the Earth, 1953

Mark Tobey

A work made of oil on canvas.

Cirrocumulus and Nimbus, 1978

Roger Brown

Abstract painting with defined sections of green, blue, black, and white on an irregularly shaped canvas

Back on Earth, 1981

Elizabeth Murray

A work made of oil on canvas.

Leaning Tower of Touhy, 1980

Roger Brown

A work made of oil on canvas.

Painting, 1952

Franz Kline

A work made of metallic powder in polymer emulsion on canvas.

De la nada vida a la nada muerte, 1965

Frank Stella

A work made of oil on canvas.

Nude with a Pitcher, summer 1906

Pablo Picasso

A work made of acrylic on canvas.

11/19/73, 1973

Bruce Conner

A work made of monotype in black, on grayish ivory china paper, laid down on ivory wove paper (chine collé).

Still Life with Goldfish III, 1914/15

Henri Matisse

A work made of plaster.

Maquette for "Miró's Chicago", 1963

Joan Miró

A work made of oil on copper.

Two Personages in Love with a Woman, April 29–May 9, 1936

Joan Miró

Abstract painting with an orange mass in the center surrounded by green and pink tones, painted in wide brushstrokes.

Untitled, 1960

Eva Hesse

A work made of aluminum.

Miss Expanding Universe, 1932

Isamu Noguchi

A work made of wood, fiberglass and lacquer.

Red Plank, 1969

John McCracken

A work made of oil on panel.

Figure, 1932

Joan Miró

A work made of oil on canvas.

Little Sneerer, March 1944

Jean Dubuffet

Abstract painting composed of a central tangle of vibrant colors—purple, pink, orange, green, red—on a mostly gray background, subtly divided into rectangular areas.

City Landscape, 1955

Joan Mitchell

A work made of albumen print, from "fortifications".

Porte de Gentilly, Bd Kellermann, 1907

Jean-Eugène-Auguste Atget

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