Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print.

Untitled, #126, 1983

Cindy Sherman

A work made of book, concrete, wood, and artificial leaves.

Frame-Theory, the Artificial Blossom, or the Blind Man's Bluff, 1991

Margaret Wharton

A work made of oil on canvas.

Albin Polasek, Sculptor, 1917

Charles Webster Hawthorne

A work made of charcoal, lithographic crayon, and pencil on hardboard.

Self-Portrait (No. 4), 1981

Ivan Albright

Painting of man who is seated with his hands over his lap. He is dressed in prayer clothes, with a white shawl draped over his head and shoulders. His facial features and hands are slightly distorted, and the background is an abstract pattern of black and white.

The Praying Jew, 1923 (one of two versions after a 1914 composition)

Marc Chagall

A work made of oil on canvas.

Head (I), 1958

Leon Golub

A work made of oil on canvas.

Height, 1958/59

Jack Tworkov

A work made of terracotta, glazed.

Aztec, c. 1937

Donal Hord

A work made of pastel, graphite, and colored pencil on hardboard.

Self-Portrait (No. 20), 1983

Ivan Albright

Standing Woman

Standing Woman, 1911

Wilhelm Lehmbruck

A work made of chromogenic print, leaves, and oil on canvas.

Aging Tree 1, 1968

Alan Sonfist

A work made of oil on panel.

Still Life, 1920/24

André Dunoyer de Segonzac

A work made of oil and graphite on canvas.

Nuclear I, CH, 1945

László Moholy-Nagy

A work made of oil on canvas.

Untitled No. 2, 1968

Arakawa Shūsaku

A work made of charcoal and pastel on hardboard.

Self-Portrait (No. 11), 1982

Ivan Albright

A work made of oil on canvas.

Portrait of Charles Lawrence Hutchinson, c. 1902

Julius Gari Melchers

A work made of oil on canvas.

Classic Boundaries I, 1961

Theodore Stamos

A work made of charcoal, colored pencils, and black crayon on hardboard.

Self-Portrait (No. 15), 1982

Ivan Albright

A work made of oil on canvas.

Artist in the Suburbs, 1978

Seymour Rosofsky

A collection of rough detail sketches of the elevation, structure, perspective, and aerial view of a circular building.

Museum of Contemporary Art, Niterói, Rio de Janeiro, Brazil, Four Sketches, 1999

Oscar Niemeyer

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