Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Photograph of interior of large art gallery, visitors stand and look at paintings.

Art Institute of Chicago II, Chicago, 1990

Thomas Struth

Painting of a light-skinned woman in dark lighting. She looks serious, has angular features, and wears a hat.

Self-Portrait, 1942

Gertrude Abercrombie

A work made of oil on canvas.

The Huckster Cart, 1913

Robert Spencer

Shallow and tall painting tightly focused on a black paneled door, a wreath of dying flowers hanging on it and a hand reaching to the doorknob from left.

That Which I Should Have Done I Did Not Do (The Door), 1931–41

Ivan Albright

A work made of oil on canvas.

Saw, 1923

Stuart Davis

A work made of oil on canvas.

The Butcher Cart, 1901

George Benjamin Luks

Painting of four figures against a background of black, yellow, orange, and red.

Three Pierrots and Harlequin, 1914

Albert Bloch

A work made of oil on panel.

Mrs. Darrow, 1911

Manierre Dawson

A work made of oil on canvas.

Horsemen of the Apocalypse, 1908

Carlo Carrà

Abstract painting in bright yellow, green, and orange. Undulating, visible brushstrokes give the surface a bright yet dusty and layered effect.

Untitled, 1965

Beauford Delaney

Oil painting in cartoon style of gigantic, close-up brushstroke of paint, blue spatter.

Brushstroke with Spatter, 1966

Roy Lichtenstein

A work made of oil on canvas.

Yuri Gagarin, 1960

Ellsworth Kelly

A work made of oil on panel.

A Bundle of Lavender, 1910

Augustus Edwin John

A work made of oil on canvas.

Lemons on a Pewter Plate, 1926

Henri Matisse

A work made of bronze, edition o/5.

Poupée-basset, 1965

Jean (Hans) Arp

Cricche, crocche e manico d'uncino

Cricche, crocche e manico d'uncino, 1986

Frank Stella

A work made of oil on canvas.

Head of a Woman, 1939

Georges Rouault

Woman with Basket

Woman with Basket, 1926

Chana Orloff

Geometric forms fragment a vertical composition containing a woodgrain table with newspapers, a guitar, and a stemmed wine glass. These objects are vividly painted within a V-shaped fragment at center. Muted, shadowlike versions of the objects appear outside it. The outline of the guitar is repeated in the V in brown, green, blue, and black alongside a fragment of brown floral wallpaper.

Abstraction (Guitar and Glass), 1913

Juan Gris

A work made of oil on canvas.

Trinity, 1941

Charles Howard

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