Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of box construction.

Untitled (Homage to Blériot), 1956

Joseph Cornell

Cubist painting of distorted gray Paris buildings, red Eiffel Tower.

Champs de Mars: The Red Tower, 1911/23

Robert Delaunay

A work made of oil and graphite on fiber board.

...And the Home of the Brave, 1931

Charles Demuth

A work made of wood, shell, and keys.

Assemblage, c. 1922

Paul Joostens

A work made of box construction with amber glass.

Untitled (Sequestered Bower), c. 1948

Joseph Cornell

Painting of man in coat with ascot, pigment is applied thickly.

Smooth Talker, or The Academician (Bonimenteur ou L'Académicien), c. 1925

Georges Rouault

Painting featuring a red background and tiny, tightly spaced black shapes, creating an undulating, netlike pattern that fills the entire canvas.

No. I.Z, 1960

Yayoi Kusama

A work made of oil on canvas.

Counter-Composition VIII, 1924

Theo van Doesburg

Wall installation of black outlined green letters spelling out phrase in English.

TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, 1980

Lawrence Weiner

A work made of bronze.

Couple, 1926

Alberto Giacometti

A work made of box construction.

The Eagle, the Arrow, and the Dolphin, c. 1960

Joseph Cornell

A work made of oil on canvas.

Daisies, 1939

Henri Matisse

A work made of oil on canvas.

The Lineman, 1927

Ivan Albright

A work made of oil on canvas.

Madam Pompadour, 1915

Amedeo Modigliani

A work made of oil on canvas.

Nude, 1931

Ivan Albright

A work made of egg tempera on masonite.

Tattoo and Haircut, 1932

Reginald Marsh

A work made of stainless steel.

Cubi VII, 1963

David Smith

A work made of oil on canvas.

Clock, 1961

Bruce Conner

A photograph of a gallery installation. The installation is a dyed canvas draped over two wooden sawhorses. The colorful canvas is almost sculptural, folded and bunched in space on top of the sawhorses.

"A" and the Carpenter I, 1973

Sam Gilliam

A work made of oil paint on anodized aluminum with six hexagonal round-faced steel bolts.

The Elliott Room: Charter, 1985 [series 1985/87]

Robert Ryman

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