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Stop firing or I'll come down and kick your ass

Stop firing or I'll come down and kick your ass, c. 1915

Francisque Poulbot

A work made of lithograph in black on white wove paper.

“- Alright, alright, I'm coming - one would think the house was on fire! - Enough about your fire!... I'm freezing. For two hours I've been pounding on the door. -(aside) that will teach you next time, not to give a tip!,” plate 32 from Émotions Parisiens, 1840

Honoré-Victorin Daumier

A work made of pen and black ink on ivory card.

Were They Coming to That Very Room? (The Knights of the Square Table), c. 1890

A. Monro

A work made of brush and colored ink and graphite, with non-photo blue pencil on ivory wove paper.

“…………..Come late once more, Murtch, and you'll find yourself in toys!!”, n.d.

Ted Key

A work made of lithograph in black on white wove paper.

“- Would you please come back immediately... I do not allow my tenants to receive visitors once I have cleaned the staircase,” plate 1 from Messieurs Les Concierges, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Inside a Butcher's Shop in Paris. “Come on my dear..... I know it is tough to sell our beef as cheap as that..... but that's no reason to weep like a calf!,” plate 75 from Actualités, 1851

Honoré-Victorin Daumier

A work made of stencil.

A Sacred Duty, December 22, 1944

Aleksandr A. Przhetslavskii

A work made of brush and brown washes and pen and brown ink, heightened with lead-white gouache (partially discolored), on cream laid paper.

Suffer the Little Children to Come unto Me, n.d.

Giovanni Battista Tinti

A work made of stencil.

Bring the Bandits to Answer!, January 14, 1945

Sergei N. Kostin

A work made of lithograph in black on white wove paper.

“- I want to go on this ship with you at once, Papa, my nanny said that the deluge will come again, and the only ones who will be saved, will be the animals on the ark of Mr. Leviathan!,” plate 484 from Actualités, 1858

Honoré-Victorin Daumier

A work made of stencil.

The Liberated Ukraine Gathers Its Harvest, August 2, 1944

Vladimir I. Ladiagin

A work made of lithograph in black on white wove paper.

“I say to myself: would anybody imagine that we are coming from the Rue des Lombards?... We really don't look like confectioners at all,” plate 2 from Coquetry, 1839

Honoré-Victorin Daumier

A work made of stencil.

Liberate Our Brothers!, May 31, 1944

Petr A. Sarkisian

A work made of lithograph in black on white wove paper.

“- Driver, driver, you cannot reject me, you have to save my life... bring me back to the races alive! - But come on, Spaniard… be reasonable… you don't have to fear the rain, since you are wearing a coat!…,” plate 2 from Le Carnaval De 1858, 1858

Honoré-Victorin Daumier

A work made of albumen print, stereo.

Jessie - I'll See if He's Coming, Harold. Santa - I'll See if Those Children Are Asleep, 1899

Keystone View Co.

A work made of lithograph in black on white wove paper.

“- Oh, Madame Chaboulard, I wonder what will happen in the twelve months to come... the New Year starts on a Friday! … - I don't care, I am not superstitious… I only believe in the number 13 and in spiders!,” plate 477 from Actualités, 1858

Honoré-Victorin Daumier

A work made of gelatin silver print.

Death Comes to an Old Lady, 1969

Duane Stephen Michals

A work made of graphite and watercolor on cream wove paper.

“Here comes a salesman now.”, n.d.

Walter Goldstein

ComEd Substation, Chicago, Illinois, Drawing

ComEd Substation, Chicago, Illinois, Drawing

Stanley Tigerman

A work made of lithograph in black on white wove paper.

Neighborhood nymphs, come discreet nymphs Laboulie in these places arrayed with his glasses, Shows himself to your glances in uncovered masses A young journalist who, leaving the unsullied water having hardly given his signature Dries his fine torso in the sun, plate 5 from Idylles Parlementairesa, 1850

Honoré-Victorin Daumier

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