Curator

  • Art Institute Chicago
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Coming Attractions

Coming Attractions, 1971–1978

Coy Howard

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

And I John Saw the Holy City, New Jerusalem, Coming Down from God Out of Heaven, plate 11 of 12, 1899

Odilon Redon

A work made of lithograph in black on buff wove paper.

Open air exhibition of provincials coming to Paris to see the palace of industry, plate 31 from L'Exposition Universelle, 1855

Honoré-Victorin Daumier

A work made of pen and brush and black ink, with touches of graphite and cut-and-pasted type written caption on cream wove paper.

“Oh, come on, fellows — Let's have that old smile!”, n.d.

Robert Day

A work made of lithograph in black on cream china paper laid down on ivory wove paper.

And I Saw an Angel Come Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand, plate 8 of 12, 1899

Odilon Redon

A work made of color woodblock print; oban triptych.

Women Coming Ashore from a Pleasure Boat on the Sumida River, c. 1785

Torii Kiyonaga

A work made of book with original photomontages tipped in.

Emilie prichází ke mne ve snu (Emilie Comes To Me In A Dream), 1933

Jindrich Styrsky

A work made of lithograph in black on off-white wove paper.

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of etching on ivory wove paper.

Coming Out Positive, 1984

Calvin Tomkins

A work made of printed matter.

Come Let's Talk, 2004

Leigh Ledare

A work made of gelatin silver print.

Union Members Waiting for the Strike-Breaking Scabs to Come out of the Copper Mines, Ducktown, Tennessee, 1939

Marion Post Wolcott

A work made of stencil.

"Philanthropic" Hitler, January 31, 1945

Boris E. Efimov

A work made of lithograph in black on white wove paper.

“- Come, come, Mr. Pomard... keep your spirits up... only two more leagues and we can rest... - What a piece of luck, we didn't bag anything... I wouldn't even have the strength to carry a partridge,” plate 21 from Émotions De Chasse, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

The Disadvantage of Buying a Newspaper That is Publishing the News Twelve Hours Before the others. “- How come I buy your paper and cannot find the news of today? - Sir, today's news was in yesterday's paper,” plate 139 from Actualités, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

(He is reading a letter) “A date, could it be from the cute Mme Giraud?? Yes, but it could also come from her husband who wants to pinch me…,” plate 8 from Coquetterie, published May 14, 1840

Honoré-Victorin Daumier

A work made of gelatin silver print.

Verrá la morte e avrá i tuoi occhi (Death will Come and it will Have Your Eyes), 1940/95

Mario Giacomelli

A work made of lithograph in black on white wove paper.

A New Way to Float Down the River of Life. - Radiguet you rascal, to hell with you, your boat and your new invention.... it is your fault that the entire outing went down the drain. - Come, come now.... no reason to scream hell. I am just angry about my boot-maker... since my shoes are being filled with water coming from the holes in the pockets of my pants., plate 3 from Les Canotiers Parisiens, 1843

Honoré-Victorin Daumier

A work made of chromogenic print.

Racehorse: Coming Back to the Stands, c. 1957

Robert Riger

A work made of watercolor with a collaged element on embossed ivory laid paper.

Come Dwell with Me (Valentine), c. 1850

A work made of photogravure, pl. xxvi from the album "pictures of east anglian life" (1888).

A Suffolk Shrimper "Coming Ashore", c. 1883/87, printed 1888

Peter Henry Emerson

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