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A work made of gelatin silver print.

Old Faithful Geyser, Late Evening, Yellowstone National Park, Wyoming, No. 13 from "Portfolio Two: The National Parks and Monuments" (1950), 1942, printed 1950

Ansel Adams

A work made of gelatin silver print.

Union Station, Nashville, Tennessee, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print, no. 21 from the portfolio "bayard: xxv calotypes, 1842-1850" (1965).

Colonnade de l'église de la Madeleine, 1842/50, printed 1965

Hippolyte Bayard

A work made of gelatin silver print.

Rene Magritte, 1965

Duane Stephen Michals

A work made of gelatin silver print, no. 13 from the portfolio "bayard: xxv calotypes, 1842-1850" (1965).

Vieille Maison en Restauration, 1842/50, printed 1965

Hippolyte Bayard

A work made of albumen print.

The Artist's Son, Barrett Browning, 1848/89

Robert Browning

A work made of albumen print.

Versailles, Fontaine du Point du Jour, (Tigre Terrassant un Ours par Houzeau), 1903

Jean-Eugène-Auguste Atget

A work made of albumen print, plate 4 from the album "photographic views of the sherman campaign" (1866).

Trestle Bridge at Whiteside, 1864

George N. Barnard

A work made of salted paper print, plate 34 from the album "photographs taken in the crimea" (1856).

Lieutenant General Sir Richard England, K.C.B., 1855

Roger Fenton

A work made of silkscreen on paper.

An Eat Expedition, from The New York Collection for Stockholm, 1973

Red Grooms

A work made of photograph.

New York, 1963

Edward Sturr

A work made of gelatin silver print.

Sentinel Rock, Winter Dusk, Yosemite National Park, California, No. 7 from "Portfolio Two: The National Parks and Monuments" (1950), 1944, printed 1950

Ansel Adams

A work made of gelatin silver print.

Hard Core, from The New York Collection for Stockholm, 1973

Walter De Maria

A work made of thinly albumenized print.

Admiral Lord Lyons, Taken in the Crimea, 1855

Roger Fenton

A work made of salted paper print, from the album "photographic pictures of the seat of war in the crimea" (1856).

Cavalry Camp, looking towards Kadikoi, 1855

Roger Fenton

A work made of color lithograph on cream wove paper.

General Clothing Collection, 1917

Franz Anton Griessler

A work made of albumen print, from the album "reproductions photographiques des plus beaux types d’architecture et de sculpture".

Forum Romanum, Rome, 1854/57

Bisson Frères

A work made of albumen print, stereo.

The "Vermillion Cliff," a typical plateau edge, as seen from Jacobs Pool, Arizona. From its top a plateau stretches to the right, and from its base another to the left. Their difference of level is 1.500 feet, and the step is too steep for scaling, No. 15 from the series "Geographical Explorations and Surveys West of the 100th Meridian", 1872

William H. Bell

A work made of silkscreen on paper.

Untitled, from The New York Collection for Stockholm, 1973

Ellsworth Kelly

A work made of three-color silkscreen on paper.

Untitled, from The New York Collection for Stockholm, 1973

Nam June Paik

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