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A work made of gilt copper alloy with lapis, coral and malachite.

Deity from a Set of Five Pancharaksha Goddesses, Qing dynasty (1644–1911), 19th century

Tibeto-Chinese

A work made of hard-paste porcelain, glaze, with enamels in colors, and gilding.

Dinner Plate, 1796–1810

Chinese export porcelain

A work made of hard-paste porcelain, enamels, gilding.

Cup, 1750–70

Chinese export porcelain

A work made of hard-paste porcelain, glaze, with enamels in colors, and gilding.

Tureen with Cover, c. 1787–90

Chinese export porcelain

A work made of floral design with small animals, swastika, lanterns embroidered on gauze..

Fragment (Sleeve Band), Qing dynasty (1644–1911), 1875–1900

Han-Chinese

A work made of silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton in knot, single satin, satin, split, and stem stitches; laid work and couching; ribbons: silk, plain weave with supplementary patterning warps; trimmed with silk, warp-float faced 4:1 satin weave; waistband: cotton, plain weave; lined with silk, plain weave.

Woman's Qun (Semiformal Domestic Skirt), Qing dynasty (1644–1911), 1870/90

Han-Chinese

A work made of hard-paste porcelain, glaze, with enamels in colors, and gilding.

Tureen with Cover, c. 1787–90

Chinese export porcelain

A work made of hard-paste porcelain, glaze, with enamels in colors, and gilding.

Tea Bowl and Dish, c. 1784–95

Chinese export porcelain

A work made of embroidered in silks on gauze in design of flowers and plants in jardinieres.

Sleeve Band, Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of silk, warp-float faced 3:1 'z' twill weaves self-patterned by areas of plain weave; pieced; medallions with under drawing in black pigment and trimmed with cords of gold-leaf-over-lacquered-paper-strip-wrapped silk couched with silk; neck facing: silk, warp-float faced 7:1 satin weave; embroidered in satin, single satin, and stem stitches; trimmed with braid of silk, 2:2 oblique interlacing and with ribbon of silk and cotton, warp-float faced 7:1 satin weave with supplementary patterning warps and self-patterned by main warp floats; ties: silk, warp-float faced 3:1 'z' twill weave self-patterned by areas of plain weave; lined with silk, plain weave.

Boy's Baijia Pao ("One Hundred Household" Robe), Qing dynasty (1644–1911), 1850/1900

Han-Chinese

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts bound in weft-float faced 1:2 'z' twill interlacings; painted details; closures, ties, and lining: silk, 4:1 satin damask weave; metal clasps and knotted button.

Bridal Long Pao (Dragon Robe), 1875/90, Qing dynasty (1644–1911)

Han-Chinese

A work made of silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and peacock feathers, slit tapestry weave with interlaced outlining; silk, 1:1 plain oblique interlaced tapes; lined with silk, warp-float faced 4:1 satin weave.

Jiasha (Mantle), Qing dynasty (1644–1911), 1650/1725

Han-Chinese

A work made of brass alloy.

Portrait of the Tibetan Lama Chankya Hutuktu Rolpai Dorje (1717-1786), Qing dynasty (1644–1911), 18th/19th century

Tibeto-Chinese

A work made of hard-paste porcelain, glaze, with enamels in colors, and gilding.

Teapot with Cover, 1790–1800

Chinese export porcelain

A work made of gelatin silver print.

Chinese in Amsterdam, 1951, printed later

Emmy Andriesse

A small-scale room in gold and brown tones with several partial latticed wood walls leading back to a Buddhist altar.

E-30: Chinese Interior, Traditional, c. 1937

Narcissa Niblack Thorne

A work made of gilt copper alloy with traces of orange pigment.

Enlightened Protector Mahakala with Six Arms (Shadbhuja), 18th/19th century

Tibeto-Chinese

A work made of design of dragons, butterflies, dogs, black and white border, embroidered on gauze..

Trouser Band, Qing dynasty (1644–1911), 1875/1900

Han-Chinese

A work made of hard-paste porcelain, glaze, with enamels in colors, and gilding.

Tureen with Cover and Stand, c. 1787–90

Chinese export porcelain

A work made of hard-paste porcelain, enamels, and gilding.

Coffee Pot with Lid, 1790–1800

Chinese export porcelain

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