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A work made of gelatin silver print.

Chicago 30, 1949, printed c. 1979

Aaron Siskind

A work made of gelatin silver print.

The Loop: Chicago, 1958

Ray Krueger Metzker

An elevation drawing of an ornate, large central building with a tall dome flanked by two shorter flat-roofed buildings and hazy flat-roofed buildings in the background.

Plate 131 from The Plan of Chicago, 1909: Chicago. Elevation Showing the Group of Buildings Constituting the Proposed Civic Center., 1909

Daniel Hudson Burnham

A work made of gelatin silver print.

Chicago, 1961

Kenneth Josephson

A work made of gelatin silver print, from the portfolio crackerjacks, 1977.

Chicago, 1976

Kiyoaki Kato

A work made of graphite and watercolor on paper.

Saint Gabriel's Church, Chicago, Illinois, Perspective Sketches, c. 1889

Burnham and Root

A work made of watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper.

The Lone Boat, North Woods Club, Adirondacks, 1892

Winslow Homer

A work made of cotton and linen, plain weave; screen printed.

Jamaica (Furnishing Fabric), 1950s

Angelo Testa

A work made of linocut in black on thin cream japanese paper.

Chicago Towers, 1937

Todros Geller

A work made of ink and hand-colored paper on strathmore board.

Collage Study for the Steel and Glass House, Chicago, Illinois, 1981

Ronald Adrian Krueck

A work made of graphite on linen.

860–880 North Lake Shore Drive, Wind Bracing Bents and Details, 11/9/1949

Frank J. Kornacker Associates

A work made of lithograph in brown on buff wove paper.

Wanted Poster Series #11 (positive image), 1970

Charles White

She Keeps Dreaming She'll Leave

She Keeps Dreaming She'll Leave, 1982

Hollis Sigler

A work made of ink and zip-a-tone on tracing paper.

River City I, Marina City, Chicago, Illinois, Sectional Diagram, Date unknown

Bertrand Goldberg

A work made of graphite on linen.

860–880 North Lake Shore Drive, Wind Bracing Bents, 11/9/1949

Frank J. Kornacker Associates

A work made of watercolor and gouache, with brush and black ink, on white wove paper.

Fez Morocco, 1960

Ivan Albright

A work made of white glazed terra-cotta.

Conway Building: Blocks from Lobby Cornice., completed 1914 (remodeled 1984)

D.H. Burnham & Co.

A work made of gelatin silver print.

Chicago, Near the River, 1969

José Lopez

A work made of gelatin silver print.

Madison Street Bridge, Chicago, 1927, printed 1950s

Torkel Korling

A work made of oak, maple, walnut, and mahogany.

Table, 1880–1914

Artist unknown

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