Curator

  • Art Institute Chicago
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A work made of mounted black and white, toned, and color photographic prints; black and white, hand-colored, mechanically-colored, and toned glass lantern slides; black and white photographic negatives; black and white and color photomechanical prints; and black and white and color photolithographed postcards..

Historic Architecture and Landscape Image Collection, c.1865-1973 (bulk 1890-1945)

Chicago Plan Commission

A work made of oil on panel.

Pah-Puh, 1898

Elbridge Ayer Burbank

A work made of etching in black on cream wove paper.

Cat's Cradle, 1972

Charles White

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

N.W. Corner of Dearborn and Monroe Streets, Chicago, Showing the Post Office Building in the Year 1865, published August 1927 (1865 depicted)

Raoul Varin

A work made of gelatin silver print.

Chicago, 1973

Kenneth Josephson

A work made of leaded glass.

Fisher Building: Light Fixture from Lobby, 1896

D.H. Burnham & Co.

A work made of gelatin silver print.

Eleanor, Chicago, 1949, printed 1970s

Harry Callahan

Diana Court Clerestory Windows

Diana Court Clerestory Windows, 1929

Edgar Miller

A work made of gelatin silver print.

Nelson Algren Pauses after Another White Sox Loss, Chicago, 1950

Art Shay

Abstract painting in various bright colors—yellow, blue, red, green, orange, pink—with lines indicating building-like structures as well as canons in the lower right corner.

Improvisation No. 30 (Cannons), 1913

Vasily Kandinsky

A work made of lithograph on zinc on ivory wove paper.

Corea, Maine, 1947

Ivan Albright

A work made of oil on canvas.

Village, c. 1912

Maurice de Vlaminck

A work made of oil on canvas.

Claudine Resting, 1913

Jules Pascin

A work made of linen, plain weave; screen printed.

Skyline (Furnishing Fabric), 1958

Eleanor Kluck

A work made of marble.

900 N. Michigan Avenue: Column with Base and Capital, 1926

Jarvis Hunt

A work made of silk, wool, rayon, cellulose acetate, and metal foil laminated in cellulose acetate film, plain weave with supplementary patterning warps and wefts; supplementary warp and main warp braided and cut fringe.

Hanging, 1960s/70s

Claire Zeisler

Perspective aerial drawing of Chicago's lakefront and harbor, park, and cityscape sprawling beyond the bottom of the page.

Plate 137 from The Plan of Chicago, 1909: Chicago. View of the Proposed Development in the Center of the City, from Twenty-Second Street to Chicago Avenue, Looking Towards the East Over the Civic Center to Grant Park and Lake Michigan, 1907

Daniel Hudson Burnham

A work made of color screenprint on off-white wove paper.

1779 Chicago (Then Called Eschikago), from Screen Prints 1970, 1970

James Zanzi

A work made of color screenprint on off-white wove paper.

Untitled, from Screen Prints 1970, 1970

Ed Paschke

A work made of silver dye-bleach print.

Hot Dog Stands: Pig-Outs, Milwaukee and Addison, from the series "Hot Dog Stands", 1987

Patty Carroll

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