Curator

  • Art Institute Chicago
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A work made of etching on ivory wove paper.

Self-Portrait (Ancient Eyes), 1983

Ivan Albright

A work made of oil on panel.

Pah-Puh, 1898

Elbridge Ayer Burbank

A work made of variable media.

Astor Tower, 1955/80

Bertrand Goldberg

A work made of etching in black on cream wove paper.

Cat's Cradle, 1972

Charles White

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

N.W. Corner of Dearborn and Monroe Streets, Chicago, Showing the Post Office Building in the Year 1865, 1927

Raoul Varin

Abstract painting in various bright colors—yellow, blue, red, green, orange, pink—with lines indicating building-like structures as well as canons in the lower right corner.

Improvisation No. 30 (Cannons), 1913

Vasily Kandinsky

Diana Court Clerestory Windows

Diana Court Clerestory Windows, 1929

Edgar Miller

A work made of leaded glass.

Fisher Building: Light Fixture from Lobby, 1896

D.H. Burnham & Co.

A work made of gelatin silver print.

Nelson Algren Pauses after Another White Sox Loss, Chicago, 1950

Art Shay

A work made of lithograph on zinc on ivory wove paper.

Corea, Maine, 1947

Ivan Albright

A work made of oil on canvas.

Village, c. 1912

Maurice de Vlaminck

A work made of oil on canvas.

Claudine Resting, 1913

Jules Pascin

A black-and-white image of a window with an asymmetrical geometric gridded pattern in a wooden frame.

Emil Bach House, Chicago, Illinois: Window, c. 1915

Frank Lloyd Wright

A work made of linen, plain weave; screen printed.

Skyline (Furnishing Fabric), 1958

Eleanor Kluck

A work made of marble.

900 N. Michigan Avenue: Column with Base and Capital, 1926

Jarvis Hunt

A work made of color screenprint on off-white wove paper.

1779 Chicago (Then Called Eschikago), from Screen Prints 1970, 1970

James Zanzi

Perspective aerial drawing of Chicago's lakefront and harbor, park, and cityscape sprawling beyond the bottom of the page.

Plate 137 from The Plan of Chicago, 1909: Chicago. View of the Proposed Development in the Center of the City, from Twenty-Second Street to Chicago Avenue, Looking Towards the East Over the Civic Center to Grant Park and Lake Michigan, 1907

Daniel Hudson Burnham

A work made of ink, graphite, and crayon on tracing paper.

Chicago Board of Trade Addition, Chicago, Illinois, Exterior Perspective, c. 1979

Murphy/Jahn Architects

A work made of gelatin silver print.

Chicago, 1950

Harry Callahan

A work made of silver dye-bleach print.

Hot Dog Stands: Pig-Outs, Milwaukee and Addison, from the series "Hot Dog Stands", 1987

Patty Carroll

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