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A work made of charcoal on hardboard.

Self-Portrait (No. 6), 1981

Ivan Albright

Expressive painting with an almost blurry effect of three women dressed in black and white examining and cutting large pieces of fabric.

Shop Girls, c. 1912

Elizabeth Sparhawk-Jones

A work made of wool and jute, macramé and wrapping with inserted fringes.

Free Standing Yellow, 1968

Claire Zeisler

A work made of variable media.

Astor Tower, 1955/80

Bertrand Goldberg

A work made of charcoal on hardboard.

Self-Portrait (No. 7), 1981

Ivan Albright

A work made of etching in black on cream wove paper.

Cat's Cradle, 1972

Charles White

A work made of leaded glass.

Fisher Building: Light Fixture from Lobby, 1896

D.H. Burnham & Co.

A work made of gelatin silver print.

Chicago, 1973

Kenneth Josephson

Diana Court Clerestory Windows

Diana Court Clerestory Windows, 1929

Edgar Miller

A work made of etching on ivory wove paper.

Self-Portrait (Ancient Eyes), 1983

Ivan Albright

A work made of aquatint and etching in brown, with hand-coloring, on cream wove paper.

N.W. Corner of Dearborn and Monroe Streets, Chicago, Showing the Post Office Building in the Year 1865, published August 1927 (1865 depicted)

Raoul Varin

A work made of gelatin silver print.

Eleanor, Chicago, 1949, printed 1970s

Harry Callahan

A work made of oil on panel.

Pah-Puh, 1898

Elbridge Ayer Burbank

A work made of lithograph on zinc on ivory wove paper.

Corea, Maine, 1947

Ivan Albright

A work made of gelatin silver print.

Nelson Algren Pauses after Another White Sox Loss, Chicago, 1950

Art Shay

A work made of marble.

900 N. Michigan Avenue: Column with Base and Capital, 1926

Jarvis Hunt

A work made of silk, wool, rayon, cellulose acetate, and metal foil laminated in cellulose acetate film, plain weave with supplementary patterning warps and wefts; supplementary warp and main warp braided and cut fringe.

Hanging, 1960s/70s

Claire Zeisler

A work made of linen, plain weave; screen printed.

Skyline (Furnishing Fabric), 1958

Eleanor Kluck

Perspective aerial drawing of Chicago's lakefront and harbor, park, and cityscape sprawling beyond the bottom of the page.

Plate 137 from The Plan of Chicago, 1909: Chicago. View of the Proposed Development in the Center of the City, from Twenty-Second Street to Chicago Avenue, Looking Towards the East Over the Civic Center to Grant Park and Lake Michigan, 1907

Daniel Hudson Burnham

A work made of oil on canvas.

Claudine Resting, 1913

Jules Pascin

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