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A work made of lithograph on ivory wove paper.

Woman from Indianapolis, 1967

H. C. Westermann

A work made of silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed.

"Celebrity Ties" Quilt, 1980/82

Grace C. Wagner

A work made of gelatin silver print.

Magueyes, 1945

Gordon C. Abbott

A work made of miniature room, mixed media.

E-16: French Hall of the Louis XII Period, c. 1500, c. 1937

Narcissa Niblack Thorne

A work made of yixing stoneware with incised decoration.

Teapot, Qing dynasty (1644–1911), 18th century

A work made of silk, plain weave; embroidered with silk thread in individual back, outline, running, satin, split and stem stitches; couching; laid work and french knots.

Embroidered Fabric for a Man's Waistcoat Front, 1780s

A work made of etching and aquatint on cream wove paper.

Flower Pot Shed, 1973

Frederick C. Starbird

A work made of silver with copper.

Teakettle and Stand, tea kettle: 1877; stand: 1889

Edward C. Moore

Miniature aristocratic home library with wood-paneled walls, floral carpet, and ornate and upholstered furniture.

E-20: French Library of the Louis XV Period, c. 1720, c. 1937

Narcissa Niblack Thorne

A work made of linen, bobbin part lace of a type known as "brussels".

Cap Crown and a Pair of Lappets, 1720s

A work made of lithograph in black on cream wove paper.

Title Page and Colophon, plate one from See America First, October 23–24, 1968

H. C. Westermann

A work made of graphite on cream wove paper.

Study, c. 1933

Everett C. McNear

A work made of platinum-palladium print.

Pear (C), New York, 1993, printed June/July 1994

Irving Penn

A work made of glazed earthenware with polychrome enamel decoration.

Flower Holder, 1825–50

Staffordshire Potteries

Grand Pasteur, furniture and decoration

Grand Pasteur, furniture and decoration, 1930s

C. Villot

A work made of color lithograph on newsprint.

The Way We Become Senators Nowadays, from Puck, 1890

C. Jay Taylor

A work made of soft-paste porcelain with polychrome enamels.

Sauce Tureen and Stand, 1753/54

Worcester Porcelain Factory

A work made of color lithograph on cream wove paper.

Untitled, plate two from See America First, September 6–11, 1968

H. C. Westermann

A work made of watercolor, crayon, and pastel, with brush and black ink and colored pencils, over graphite, on white watercolor paper.

Man in the Forest, 1971

Jerome C. Krause

A work made of color lithograph on cream wove paper.

Untitled, plate seven from See America First, September 18–October 2, 1968

H. C. Westermann

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