Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of pen, brush and black ink and watercolor on white wove paper.

Untitled (Pyramid & Cactus), 1970

H. C. Westermann

A work made of graphite, with smudging, colored crayons, and colored pencils, on ivory wove paper.

Composition C, c. 1944

Matta

A work made of gelatin silver print.

The Haul, 1940s

Gordon C. Abbott

A work made of earthenware and glaze.

Othello Plaque, 1884

J. C. Meyenberg

A work made of slip-coated earthenware with three-color (sancai) lead glazes.

Covered Jar with Medallions, Tang dynasty (618–906)

A work made of three components of vinyl and paint on wall.

Detumescence and/or its Opposite (from Torment of Follies), 2011

Frances Stark

A work made of lithograph on ivory wove paper.

Red Planet "J", 1967

H. C. Westermann

A work made of monofilament, linen and gold leaf.

Cosmic Series Como, 1989, modified 2017

Yvonne Palmer Pacanovsky Bobrowicz

A work made of gelatin silver print.

Fiesta, 1940s

Gordon C. Abbott

A work made of color lithograph on cream wove paper.

Untitled, plate eight from See America First, September 24–October 7, 1968

H. C. Westermann

A work made of gelatin silver print.

Cliff Palace, 1940s

Gordon C. Abbott

A work made of gelatin silver print.

Janitzio, 1946/47

Gordon C. Abbott

A work made of gelatin silver print.

San Antonio Palopo, 1940s

Gordon C. Abbott

A work made of woodcut on japanese paper.

Elephant Graveyard, 1976

H. C. Westermann

A work made of cotton, plain weave; screen printed.

Svart Rörelse (Black Movement) (Furnishing Fabric), 1947 (reproduced 1982)

Stig Lindberg

A work made of lithograph on ivory wove paper.

Woman from Indianapolis, 1967

H. C. Westermann

A work made of miniature room, mixed media.

E-11: English Entrance Hall of the Georgian Period, c. 1775, c. 1932

Narcissa Niblack Thorne

A work made of silk, cotton, linen, wool, polyester, rayon, nylon, cellulose acetate, metal foil laminated in polyester film, and metallized polyester film wrapped rayon, plain, twill, satin, gauze and float weaves, some damask weave, some with complementary warps and/or wefts, some with secondary binding warps, some with supplementary patterning warps or wefts, some double cloth, with some supplementary pile warps forming cut solid velvet, some self-patterned by weave variations or warp or weft floats, some screen printed; oblique interlacing and cords of oblique wrapping; machine knitting; machine embroidering stitches; machine lace; pieced and appliquéd; embroidered with cotton, silk, and polyester in buttonhole, detached chain, fly, herringbone, stem and tent stitches; applied plastic stars and mother-of-pearl flowers; edged and backed with polyester, machine knitting; screen printed.

Bedcover Entitled "Celebrity Ties", 1980/82

Grace C. Wagner

Miniature room with two green chairs, bronze sculpture, harp, and walls decorated in dark marble and gold accents.

E-26: French Anteroom of the Empire Period, c. 1810, c. 1937

Narcissa Niblack Thorne

A work made of miniature room, mixed media.

E-24: French Salon of the Louis XVI Period, c. 1780, c. 1937

Narcissa Niblack Thorne