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Miniature parlor with low ceilings, hardwood floors, fireplace, and back wall with cherry-colored wood paneling. Room is full with mismatched, upholstered wooden furniture.

A2: New Hampshire Parlor, c. 1710, c. 1940

Narcissa Niblack Thorne

A work made of silk, warp-float faced, satin weave with supplementary pile warps forming cut, uncut and voided velvet.

Three Borders, c. 1780

Miniature dining room with white walls and ceiling, wooden floor, dark wood chairs and table with rose-colored fabric.

A22: Virginia Dining Room, c. 1752, c. 1940

Narcissa Niblack Thorne

A work made of color woodcut on japanese paper.

Arctic Death Ship, 1976

H. C. Westermann

A work made of lithograph on white wove paper.

An Affair in the Islands, 1972

H. C. Westermann

A work made of woodcut on japanese paper.

The Connecticut Ballroom, 1976

H. C. Westermann

Text page, from 0-9

Text page, from 0-9, 1963

Jasper Johns

A work made of lithograph on white wove paper.

Death Ship in Port, 1972

H. C. Westermann

A work made of color woodcut on japanese paper.

The Green Hell, 1976

H. C. Westermann

A work made of gelatin silver print.

Devotion, 1940s

Gordon C. Abbott

A work made of lithograph on white wove paper.

J Print, 1972

H. C. Westermann

A work made of stoneware (caneware).

Game Pie Tureen, c. 1850

Wedgwood Manufactory

Miniature dining room, with white walls, wood-beamed ceilings, fireplace in the right corner, and a central table set with food.

A34: New Mexico Dining Room, c. 1940, c. 1940

Narcissa Niblack Thorne

A work made of stoneware (jasperware).

Covered Dish and Plate, c. 1800

Wedgwood Manufactory

A work made of stoneware (jasperware).

Vase with Sacrifice to Ceres, c. 1800

Wedgwood Manufactory

A work made of cotton, plain weave; screen printed.

Isometric (Furnishing Fabric), 1968

Sue Thatcher Palmer

A work made of pen and black ink, brush and black and colored ink, and stamp ink on white wove paper.

Untitled, 1964

H. C. Westermann

A work made of silver, gilt bronze, lapis lazuli.

Crucifixion of Saint Peter, 1770–80

C. Luigi Valadier

A work made of wool, broken twill weave; fulled; embroidered with wool and silk in back, individual back, looped back (cut to form pile), chain, feather, fly, long-armed cross, satin, individual satin, and stem stitches; lined with cotton, plain weave; roller and possibly block printed; glazed.

Bedcover, c. 1849

Rebecca C. Hayward

A work made of steel, copper, ivory, and leather.

Knife and Fork with Sheath, late 17th century

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