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A work made of etching, burnished aquatint, lavis, drypoint, and burin on ivory wove paper with gilt edges.

Nothing. The Event Will Tell, plate 69 from The Disasters of War, 1812/20, published 1863

Francisco José de Goya y Lucientes

A work made of engraving on paper.

Shield with a Lion, Held by an Angel, n.d.

Martin Schongauer

A work made of oil on panel.

Virgin and Child, c. 1520

Workshop of Adriaen Isenbrant

A work made of woodcut in black on paper.

Saint Francis Receiving the Stigmata, 1535/45

Nicolò Boldrini

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left), c. 1755

Torii Kiyohiro

A work made of woodcut in black on ivory laid paper.

Adam and Eve (The Fall of Man), c. 1514

Lucas van Leyden

A work made of silk, weft-ikat dyed, weft-float faced twill weave.

Ceremonial Skirt (Sampot Hol), 1900/25

Khmer

A work made of color woodblock print; oban, benizuri-e.

Sugoroku Players, c. 1750

Torii Kiyohiro

A work made of etching, burnished aquatint and drypoint on ivory wove paper with gilt edges.

Unhappy Mother!, plate 50 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of engraving in black on ivory laid paper.

Bathsheba at the Bath, 1532

Heinrich Aldegrever

A work made of color woodblock print; oban triptych.

Iris Garden, c. 1781/89

Katsukawa Shunchô

A work made of color etching, engraving, aquatint, soft ground, scraping and burnishing in yellow ocre and black on white wove paper.

Spain, 1956

Mauricio Lasansky

A work made of black crayon, on ivory wove paper (discolored to tan), laid down on white laid paper.

Geese in a Farmyard, c. 1871

Jean François Millet

A work made of engraving on ivory laid paper.

Combats and Triumphs: Battle of the Naked Men, 1550/1572

Étienne Delaune

A work made of etching and engraving on paper.

The Annunciation, c. 1585

Federico Barocci

A work made of charcoal, with stumping, touches of oil paint, and traces of lead white (discolored), on tan laid paper.

Half-Length Recumbent Male Nude Seen from the Back, c. 1590

Pietro Faccini

A work made of gelatin silver print.

René Magritte, 1967

Marcel Broodthaers

A work made of engraving on paper.

Peasant Family Going to Market, 1469/74

Martin Schongauer

A work made of woodblock print; sumizuri-e, kakemono-e.

Actor as a Standing Beauty, About 1715

Torii Kiyomasu I

A work made of etching and burnishing on ivory wove paper with gilt edges.

That is the worst of it!, plate 74 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

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