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A work made of etching, burnished aquatint, drypoint, burin and burnishing on ivory wove paper with gilt edges.

Not in this case, plate 36 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print with white pigment around earring applied through a stencil.

Clock and Beauty, no. IV, 1964

Ito Shinsui

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

Monolith, The Face of Half Dome, Yosemite National Park, 1927

Ansel Adams

A work made of bronze.

Blade with Two Figures in Presentation Scene, 100 BCE–500 CE

Moche

A work made of ink and watercolor on paper.

Image from a Set of Initiation Cards (Tsakali), 14th/15th century

A work made of etching, lavis, drypoint, burin and burnishing on ivory wove paper with gilt edges.

The Beds of Death, plate 62 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of pen and brown and gray ink, with brush and brown wash and red chalk wash, with traces of lead white (partially discolored), on tan laid paper, laid down on cream laid card.

Study for a Painted Frieze, 1625/27

Flaminio Allegrini

A work made of opaque and translucent watercolors, with pen and brown ink, over graphite, on cream laid paper.

Two Old Men beside a Sled Bearing the Coats of Arms of Amsterdam and Utrecht, 1620/33

Hendric Avercamp

A work made of screenprint on ivory wove paper.

Untitled 12, 1974

Andy Warhol

A work made of palladium print.

Ricardo Gómez Robelo, 1921

Edward Weston

A work made of four-panel screen; aluminum-flake pigment in polyvinyl acetate medium, and yellow alkyd varnish, on paper.

Dragon (Ryû), 1965

Shiryu Morita

A work made of etching, drypoint, burin and burnishing on ivory wove paper with gilt edges.

On account of a knife, plate 34 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of engraving on paper.

Shield with a Lion, Held by an Angel, n.d.

Martin Schongauer

A work made of glazed stoneware.

Teabowl, About 1950-about 1970

Hamada Shôji

A work made of woodcut in black on paper.

Saint Francis Receiving the Stigmata, 1535/45

Nicolò Boldrini

A work made of lacquer with inlay.

Inro Case, early 19th century

Somada Mitsumine

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

El Capitan, Yosemite Valley, c. 1927

Ansel Adams

A work made of oil on panel.

Virgin and Child, c. 1520

Workshop of Adriaen Isenbrant

A work made of woodcut in black on ivory laid paper.

Adam and Eve (The Fall of Man), c. 1514

Lucas van Leyden

A work made of watercolor, over graphite, on cream wove paper.

Railroad Yards with New York Skyline, 1932

Reginald Marsh

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