Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching, lavis, drypoint, burin and burnishing on ivory wove paper with gilt edges.

What More Can Be Done?, plate 33 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of collage of brush and black ink and brush and gray wash, over touches of graphite, and cut-and-pasted ivory wove paper, on ivory wove paper.

Haulers, 1965

Red Grooms

A work made of woodblock print; oban, sumizuri-e.

Reading a Letter, c. 1688

Furuyama Moroshige

A work made of engraving on paper.

Seven Cupids with Two Rams in a Landscape, 1475/85

Giovanni Antonio da Brescia

A work made of earthenware and glaze.

Water Pitcher ("American Modern" Dinnerware), 1937–59

Russel Wright

A work made of gelatin silver print.

Chagall and His Wife Vava, 1950/59

Alexander Liberman

A work made of ink, graphite, and watercolor on board.

McCormick Place Interior Perspective of Arie Crown Theatre, Chicago, Illinois, Presentation Drawing, 1969

C. F. Murphy Associates

A work made of platinum-palladium print.

Four Unggai, New Guinea, 1970, printed April/May 1977

Irving Penn

A work made of porcelain with green crackled glaze.

Amphora-Shaped Vase (Liuyeping), Qing dynasty (1644–1911), Kangxi reign mark and period (1662–1722)

A work made of albumen print.

Julia Jackson ("Saint Julia", "My Niece Julia", "My Favorite Picture"), 1867

Julia Margaret Cameron

A work made of engraving in black on ivory laid paper.

Abigail Before David, c. 1507

Lucas van Leyden

A work made of wood with polychromy and gilding.

The Death of the Virgin, 1486–90

Hans Klocker

A work made of etching, aquatint, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

What Courage!, plate seven from The Disasters of War, 1810/12, published 1863

Francisco José de Goya y Lucientes

A work made of oil on canvas.

After Khorkom, 1940–42

Arshile Gorky

A work made of color woodblock print with metallic pigments; surimono shikishiban.

The Salt Dragon, 1832

Totoya Hokkei

A work made of etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

Ravages of war, plate 30 from The Disasters of War, 1810/11, published 1863

Francisco José de Goya y Lucientes

A work made of wool and silk; slit, dovetailed, and double interlocking tapestry weave warp: count: 7–8 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.5–1.0 mm weft: count: varies from 16 to 32 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.4–1.0 mm; silk: s-ply of two z-twisted elements (maybe replacement wefts); diameters: 0.4–0.9 mm. right half of piece was rewoven..

Prudentia (Prudence) from Los Honores, 1525-1532

Bernard van Orley

A work made of blackline print on paper.

United Airlines Concourses B and C, O'Hare International Airport, Chicago, Section, 1982-1988

Murphy/Jahn Architects

A work made of oil on canvas.

Solitude, 1818

Joshua Shaw

A work made of pen and brown ink, with brush and red chalk wash, over red chalk, on ivory laid paper.

Sketches: Virgin and Child; Virgin and Child with Two Saints; Saint Baptizing Kneeling Figure, n.d.

Giovanni Baglione

<<<42434445 >>>