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A work made of engraving on paper.

Seven Cupids with Two Rams in a Landscape, 1475/85

Giovanni Antonio da Brescia

A work made of etching, aquatint, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

What Courage!, plate seven from The Disasters of War, 1810/12, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print with metallic pigments; surimono shikishiban.

The Salt Dragon, 1832

Totoya Hokkei

A work made of etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

Ravages of war, plate 30 from The Disasters of War, 1810/11, published 1863

Francisco José de Goya y Lucientes

A work made of wool and silk; slit, dovetailed, and double interlocking tapestry weave warp: count: 7–8 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.5–1.0 mm weft: count: varies from 16 to 32 wefts per cm; wool: s-ply of two z-spun elements; diameters: 0.4–1.0 mm; silk: s-ply of two z-twisted elements (maybe replacement wefts); diameters: 0.4–0.9 mm. right half of piece was rewoven..

Prudentia (Prudence) from Los Honores, 1525/32

Bernard van Orley

A work made of engraving in black on ivory laid paper.

Abigail Before David, c. 1507

Lucas van Leyden

A work made of gelatin silver print.

Christ or Chaos?, 1946

Walker Evans

A work made of oil on canvas.

After Khorkom, 1940–42

Arshile Gorky

A work made of gelatin silver print.

Walker Warehouse, 1953

Aaron Siskind

A work made of offset lithograph in black on red wove paper.

Untitled (It All Has to Burn...), from Inflammatory Essays, 1979/82

Jenny Holzer

A work made of etching, lavis, burin and burnishing on ivory wove paper with gilt edges.

A Woman's Charity, plate 49 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of porcelain painted in underglaze blue.

Bottle Vase with Peony Scrolls, Ming dynasty (1368–1644), late 14th century

A work made of oil on canvas.

Solitude, 1818

Joshua Shaw

A work made of silk, plain weave with supplementary brocading wefts and self-patterned by two-color complementary ground wefts.

Panel, c. 1725

A work made of pen and brown ink, with brush and red chalk wash, over red chalk, on ivory laid paper.

Sketches: Virgin and Child; Virgin and Child with Two Saints; Saint Baptizing Kneeling Figure, n.d.

Giovanni Baglione

A work made of etching and engraving on paper.

Woman Milking a Cow, plate 3 from Four Landscapes, c. 1649-58

Cornelis Visscher

A work made of color woodblock print; sheet from shikishiban hexaptych, surimono.

Minamoto no Yoshiie on horseback and a bird on a branch, from an untitled hexaptych depicting a pair of folding screens, c. 1825

Ryuryukyo Shinsai

A work made of engraving in black on ivory laid paper.

Saint John the Baptist, c. 1505

Giulio Campagnola

A work made of offset lithograph in black on cream wove paper.

Untitled (Ruin your fucking Self Before...), from Inflammatory Essays, 1979/82

Jenny Holzer

A work made of gelatin silver print.

Untitled (Chicago), 1946

Walker Evans

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