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A work made of gelatin silver print.

Untitled, 1935

Hans Bellmer

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

Banner Peak, Thousand Island Lake, Central Sierra, 1923

Ansel Adams

A work made of colored pencil, marker, graphite, and ink on paper mounted on foamboard.

Banana Republic Building, Chicago, Illinois, Sections C-C and D-D, 1990

Robert A. M. Stern

A work made of oil on panel.

Fish, 1842

Shepard Alonzo Mount

A work made of color woodblock print; oban.

The Waitress Ohisa of the Takashimaya, c. 1792/93

Katsukawa Shunchô

A work made of engraving on paper.

Adam and Eve with the Infants Cain and Abel, c. 1500

Cristofano Robetta

A work made of etching on paper.

Juno and the Peacock, 1770

Angelica Kauffmann

A work made of engraving on ivory laid paper.

Lieven van Coppenol, 1658

Cornelis Visscher

A work made of hand-colored woodblock print; hosoban, urushi-e.

The Actors Ichikawa Monnosuke I and Dekijima Daisuke II, c. 1728

Torii Kiyonobu II

A work made of engraving printed in black on paper.

Dance of Cupids, 1517/20

Marcantonio Raimondi

Porcelain cream jug with a branch-shaped handle decorated with two reclining goats and a small bee.

Goat and Bee Cream Jug, c. 1745

Chelsea Porcelain Factory

A work made of engraving on paper.

Fate of the Evil Tongue, c. 1507

Nicoletto da Modena

A work made of etching, lavis and drypoint on ivory wove paper with gilt edges.

This is Worse, plate 37 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of woodcut in black on paper.

Saint Jerome in the Wilderness, 1525–30

Nicolò Boldrini

A work made of bronze.

Good Night, Modeled 1909–10, cast by 1915

Bessie Potter Vonnoh

A work made of tempera on panel.

Saint Anthony Abbot, 1440–41

Fra Angelico

Abstract painting with soft shapes of brown, pink, yellow, red.

The Plow and the Song, 1946–47

Arshile Gorky

A work made of etching, lavis, burin, drypoint, and burnishing on ivory wove paper with gilt edges.

Rightly or wrongly, plate two from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of etching, burnished aquatint and burin on ivory wove paper with gilt edges.

There is No One to Help Them, plate 60 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

A work made of oil on panel.

Portrait of a Man, c. 1555

Corneille de Lyon

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