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A work made of etching and burnishing on ivory wove paper with gilt edges.

Against the Common Good, plate 71 from The Disasters of War, 1815/20, published 1863

Francisco José de Goya y Lucientes

A work made of oil on panel.

The Nativity, 1507–10

Master of the Historia Friderici et Maximiliani

A work made of bronze.

Motherhood, Modeled 1902, cast by 1915

Bessie Potter Vonnoh

A work made of gelatin silver print.

Man Lying Down, Subway Steps, 1965

Roy DeCarava

A work made of engraving on paper.

St. Matthias, from Apostles, n.d.

Martin Schongauer

A work made of aquatint with etching on ivory laid paper.

Chirk Castle and c. from Wynnstay Park, plate three from Twelve Views in North Wales, 1776

Paul Sandby

A work made of engraving on ivory laid paper.

The Mousetrap, c. 1655

Cornelis Visscher

A work made of engraving in black on cream laid paper.

An Allegory of Abundance, c. 1515

Cristofano Robetta

A work made of engraving on paper.

Adam and Eve with Infants Cain and Abel, c. 1500

Cristofano Robetta

A work made of silver.

Necklace with a Compartment for Magical Texts, Ottoman dynasty (1299–1923), 18th/19th century

A work made of graphite on ivory wove paper.

Male Nude, 1885

Sir Edward Burne-Jones

A work made of hand-colored woodblock print; hosoban, urushi-e.

The actor Fujimura Handayu II as Nowake no Mae in the play "Tategami Teika Kazura," performed at the Ichimura Theater in the eleventh month, 1719, 1719

Okumura Toshinobu

A work made of bronze.

In Grecian Draperies, Modeled 1912–13, cast 1914

Bessie Potter Vonnoh

A work made of oil on canvas.

Flowers (Blumen), 1993

Gerhard Richter

A work made of etching and engraving on ivory laid paper.

The Vision of Saint Francis, 1581

Federico Barocci

A work made of engraving on ivory laid paper.

St. George on Horseback, Killing the Dragon, n.d.

Master Allaert Claesz

A work made of charcoal, with white chalk, stumping, and traces of brown pastel, on greenish-gray wove paper.

Seated Female Nude, c. 1915

Adolf Hirémy-Hirschl

A work made of etching and burnished aquatint on ivory wove paper with gilt edges.

Harvest of the dead, plate 63 from The Disasters of War, 1812/15, published 1863

Francisco José de Goya y Lucientes

Small white porcelain cups with circular patterns and no handles.

Pair of Cups, Qing dynasty (1644–1911), Yongzheng reign mark and period (1723–1735)

Etching of a strong male figure with their face in profile, wearing a cloak and hat and grasping a very tall staff.

Saint James the Greater, n.d.

Master F. P.

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