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  • Art Institute Chicago
  • Harvard art museum
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A work made of engraving on paper.

St. Barbara, n.d.

Martin Schongauer

A work made of pen and brown ink with brush and gray wash, heightened with lead white, on tan laid paper, laid down on ivory laid card.

The Meeting of Joachim and Anna at the Golden Gate, c. 1553

Girolamo Mazzola Bedoli

A work made of wool and silk three-color complementary weft, weft-float faced 1:6 diamond twill weave.

Panel, 1875/1900

J. W. & C. Ward

A work made of color woodblock print; chuban.

Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)", c. 1772

Ippitsusai Buncho

A work made of oil on panel.

Aeneas Rescuing Anchises from Burning Troy, c. 1610

Hendrick van Steenwijck, the Younger

A work made of black chalk and brush and pale brown wash, heightened with lead white (partially discolored), on ivory laid paper, tipped onto ivory laid paper.

Holy Family with the Infant Saint John the Baptist, 1580/85

Denys Calvaert

A work made of chromogenic print.

Magic Square, 1987

Valery Gerlovin

A work made of graphite on ivory laid paper.

Anna Peter, the Artist's Mother-in-Law, 1936

George Grosz

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

A Grove of Tamarack Pine, Near Timber Line, 1921

Ansel Adams

A work made of handscroll; ink on silk.

Barbarian Envoys Presenting Tribute, Qing dynasty (1644–1911), c. 1850/1900

Su Liupeng

A work made of offset lithograph in black on pink wove paper.

Untitled (Rejoice!), from Inflammatory Essays, 1979/82

Jenny Holzer

A work made of engraving printed in black on paper.

Mars, Venus, and Cupid, 1508

Marcantonio Raimondi

A work made of pen and black ink and graphite on white wove paper.

Untitled (4.5.82), 1982

Gerhard Richter

A work made of halftone relief print.

Conrad (C. J.) Pressma, No. 124 from the series "The Baseball-Photographer Trading Cards", 1975

Mike Mandel

Engraving of a religious marriage featuring many figures, an older man placing a ring on a woman's finger and three cupids overhead.

The Marriage of the Virgin, 1625/59, printed after 1750

Schelte Adamsz. Bolswert

A work made of etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

And there's no help for it, plate 15 from The Disasters of War, 1810/11, published 1863

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Mary Magdalene, 1540/50

Moretto da Brescia

A work made of pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper.

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08

Vittore Carpaccio

A work made of color woodblock print; surimono.

Portrait of a Rabbit, 1867

Yabu Chosui

A work made of lithographic collage.

Summer Suite C, 1970

Conrad Marca-Relli

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