Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving in black on cream laid paper.

The Temptation of Saint Anthony, c. 1469/73

Martin Schongauer

A work made of oil on panel.

Interior of the Oude Kerk, Delft, c. 1680

Emanuel de Witte

A work made of oil on canvas.

Portrait of a Naval Officer, 1749–58

John Wollaston

A work made of oil on panel.

Virgin and Child, c. 1460

Workshop of Rogier van der Weyden

A work made of chromogenic print.

Magic Square, 1987

Valery Gerlovin

A work made of engraving on paper.

St. Andrew, from Apostles, n.d.

Martin Schongauer

A work made of engraving in black on ivory laid paper.

Saint George, 1469/82

Martin Schongauer

A work made of engraving in black on ivory laid paper.

'The Beautiful Virgin of Regensburg' with the Child on a Throne, Surrounded by Angels with Musical Instruments, 1519/20

Albrecht Altdorfer

A work made of oil on panel transferred to canvas.

King Solomon Receiving the Queen of Sheba, 1515–20

Master of the Antwerp Adoration Group

A work made of offset lithograph in black on pink wove paper.

Untitled (Rejoice!), from Inflammatory Essays, 1979/82

Jenny Holzer

A work made of graphite on ivory laid paper.

Anna Peter, the Artist's Mother-in-Law, 1936

George Grosz

A work made of gelatin silver print, from the portfolio "parmelian prints of the high sierras" (1927).

A Grove of Tamarack Pine, Near Timber Line, 1921

Ansel Adams

A work made of handscroll; ink on silk.

Envoys Presenting Tribute, Qing dynasty (1644–1911), c. 1850/1900

Su Liupeng

A work made of engraving on buff laid paper.

Ornament with Owl Mocked by Day Birds, c. 1474

Martin Schongauer

A work made of bronze.

Allegorical Group of Victory Supported by Valor, 1700/10

Francesco Bertos

Watercolor of man with golden halo on horse, green background.

Maharana Bhim Singh in Procession, c. 1820

Ghasi

A work made of pen and black ink and graphite on white wove paper.

Untitled (4.5.82), 1982

Gerhard Richter

A work made of engraving on ivory paper.

The Large Cat, 1657

Cornelis Visscher

A work made of etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

And there's no help for it, plate 15 from The Disasters of War, 1810/11, published 1863

Francisco José de Goya y Lucientes

A work made of tempera on panel.

The Descent from the Cross, c. 1485

Bernardino Jacobi Butinone

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