Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of handscroll; ink on silk.

Barbarian Envoys Presenting Tribute, Qing dynasty (1644–1911), c. 1850/1900

Su Liupeng

A work made of pen and black ink and graphite on white wove paper.

Untitled (4.5.82), 1982

Gerhard Richter

A work made of black chalk and brush and pale brown wash, heightened with lead white (partially discolored), on ivory laid paper, tipped onto ivory laid paper.

Holy Family with the Infant Saint John the Baptist, 1580/85

Denys Calvaert

A work made of etching, drypoint, burin, and burnishing on ivory wove paper with gilt edges.

And there's no help for it, plate 15 from The Disasters of War, 1810/11, published 1863

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Allegory of Venus and Cupid, c. 1600

Imitator of Titian

Somewhat abstract and geometric painting of a clearly discernable, light-skinned female dancer, standing in profile, swaths of white lace fabric adorning and radiating from her, a fan in her hand.

Spanish Dancer, 1920s

Natalia Goncharova

A work made of etching on tan laid paper.

Remembrance of Italy, c. 1866

Jean Baptiste Camille Corot

A work made of color woodblock print; surimono.

Dandelions and clovers beneath cherry tree, c. 1807

Katsushika Hokusai

A work made of engraving printed in black on paper.

Mars, Venus, and Cupid, 1508

Marcantonio Raimondi

A work made of color woodblock print with metallic pigments; surimono shikishiban.

Cat Playing with a Toy Butterfly, from the series "Thirty-six Pictures of Birds (Sanjuroku kinzoku)", 1828

Totoya Hokkei

A work made of color woodblock print; nagaban, surimono.

A Standing Screen Depicting Narihira’s Journey to the East, 1799/1801

Kitagawa Utamaro

Engraving of a religious marriage featuring many figures, an older man placing a ring on a woman's finger and three cupids overhead.

The Marriage of the Virgin, 1625/59, printed after 1750

Schelte Adamsz. Bolswert

A work made of soft ground etching in dark brown on cream laid paper.

Seated Nude Woman, c. 1906

Pierre-Auguste Renoir

A work made of oil on canvas.

Mary Magdalene, 1540/50

Moretto da Brescia

A work made of pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper.

Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso), 1507/08

Vittore Carpaccio

A work made of qingbai ware; porcelain with underglaze incised and stippled decoration.

Bottle Vase (Meiping) with Stylized Spirals, Song dynasty (960–1279), 12th/13th century

A work made of rayon, weft-faced plain weave with supplementary and brocading weft patterning.

Kente Wrapper, 1901/50

Asante

A work made of color woodblock print; surimono.

Portrait of a Rabbit, 1867

Yabu Chosui

A work made of linen and sisal, discontinuous weft plain weave with supplementary brocading wefts, supplementary wrapping wefts and some ground wefts forming cut and uncut weft pile; self-patterned by ground weft floats; appliquéd with smaller rectangle of same weave, wrapped cord, yarn bundles forming cut pile and three-dimensional form in a knotting technique known as macramé.

Le Feu et La Cendre (Fire and Cinders), 1973/75

Magdalena Abakanowicz

A work made of etching on ivory laid paper.

The Armoire, 1778

Jean Honoré Fragonard

<<<35363738 >>>