Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of engraving on ivory paper.

The Large Cat, 1657

Cornelis Visscher

A work made of dye imbibition print.

Collage, 1956/57

Harry Callahan

A work made of tempera on panel.

The Descent from the Cross, c. 1485

Bernardino Jacobi Butinone

A work made of engraving on paper.

St. Barbara, n.d.

Martin Schongauer

A work made of daguerreotype.

Phoebe Matthews and Captain Oliver Matthews, 1839/66

Nathanial C. Jaquith

A work made of albumen print.

Untitled (Woman in Interior of House), 1846/99

J. C. Spooner

A work made of etching in black on ivory wove paper.

Ile St. Louis: Pont de la Tournelle, 1933

Everett C. McNear

A work made of watercolor and ink over graphite on sketchbook paper.

House Near Guildford, England, Travel Sketch, 1905

C. Herrick Hammond

A work made of pen and brown ink with brush and gray wash, heightened with lead white, on tan laid paper, laid down on ivory laid card.

The Meeting of Joachim and Anna at the Golden Gate, c. 1553

Girolamo Mazzola Bedoli

A work made of etching, lavis, drypoint and burin on ivory wove paper with gilt edges.

This is What You Were Born For, plate twelve from The Disasters of War, 1810/12, published 1863

Francisco José de Goya y Lucientes

A work made of color woodblock print; chuban.

Chizuka no Fumi no Bosetsu (The Evening Snow of a Thousand Bundles of Love-Letters), the Lovers Ohatsu and Tokubei, from the series "Sugata Hakkei (Eight Views of Lovers)", c. 1772

Ippitsusai Buncho

A work made of silk, 7:1 satin damask weave over boards; streamers: silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; lined with cotton, plain weave.

Pair of Banners, Qing dynasty (1644–1911), 1650/1700

A work made of soft-paste porcelain with monochrome gray and gilding.

Teacup, Coffee Cup, and Saucer, c. 1800

Worcester Porcelain Factory

A work made of glass, mosaic glass technique.

Inlays in the Shape of a Lotus Bud, 1st century BCE-1st century

Ancient Roman

A work made of cotton, plain weave; painted.

Chasuble Model, 1954

William Justema

A work made of silk and gilt-metal-strip-wrapped silk, 4:1 satin weave with supplementary brocading wefts bound in 4:1 twill interlacings and self-patterned by reversing of faces.

Three Panels, 1712/13

A work made of pewter (mug), silver (spout), brass (steam hold cover).

Inhaling Mug, c. 1770

Henry Joseph

Porcelain lobed tureen and a stand with raised branch handles and finial terminating in applied flowers and leaves. Blue scale ground decorated with exotic birds in bright colors.

Tureen and Stand, c. 1770

Worcester Porcelain Factory

Glass bowl on a short stand with a skirted base topped with a high cover crowned with a rounded element. The bowl is lavishly decorated with conventional pattern in relief.

Covered Bowl and Stand, c. 1830/60

Baccarat Glassworks

Double Salt (one of a pair)

Double Salt (one of a pair), c. 1794–1819

Martin-Guillaume Biennais

<<<33343536 >>>