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A work made of etching in black on ivory wove paper.

Ile St. Louis: Pont de la Tournelle, 1933

Everett C. McNear

A work made of watercolor and ink over graphite on sketchbook paper.

House Near Guildford, England, Travel Sketch, 1905

C. Herrick Hammond

A work made of hand-colored woodblock print; oban, sumizuri-e.

Dalliance, c. 1685

Sugimura Jihei

A work made of engraving in black on buff laid paper.

The Last Judgment, 1478/1506

Alart du Hameel

A work made of engraving on cream laid paper.

The Betrayal, n.d.

Israhel van Meckenem, the younger

A work made of pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, laid down on ivory laid paper.

Adoration of the Shepherds, n.d.

Polidoro da Caravaggio

A work made of engraving in black on cream laid paper.

The Temptation of Saint Anthony, 1470–75

Martin Schongauer

A work made of chromogenic print.

Magic Square, 1987

Valery Gerlovin

A work made of oil on panel.

Interior of the Oude Kerk, Delft, c. 1680

Emanuel de Witte

A work made of oil on canvas.

Portrait of a Naval Officer, 1749–58

John Wollaston

A work made of oil on panel.

Virgin and Child, c. 1460

Workshop of Rogier van der Weyden

A work made of engraving on paper.

St. Andrew, from Apostles, n.d.

Martin Schongauer

Porcelain lobed tureen and a stand with raised branch handles and finial terminating in applied flowers and leaves. Blue scale ground decorated with exotic birds in bright colors.

Tureen and Stand, c. 1770

Worcester Porcelain Factory

Double Salt (one of a pair)

Double Salt (one of a pair), c. 1794–1819

Martin-Guillaume Biennais

Glass bowl on a short stand with a skirted base topped with a high cover crowned with a rounded element. The bowl is lavishly decorated with conventional pattern in relief.

Covered Bowl and Stand, c. 1830/60

Baccarat Glassworks

A work made of cotton, plain weave; painted.

Chasuble Model, 1954

William Justema

A work made of silk, 7:1 satin damask weave over boards; streamers: silk, warp-float faced 5:1 satin weave with plain interlacings of secondary binding warps, supplementary patterning wefts, and self-patterning ground wefts; lined with cotton, plain weave.

Pair of Banners, Qing dynasty (1644–1911), 1650/1700

A work made of soft-paste porcelain with monochrome gray and gilding.

Teacup, Coffee Cup, and Saucer, c. 1800

Worcester Porcelain Factory

A work made of silk and gilt-metal-strip-wrapped silk, 4:1 satin weave with supplementary brocading wefts bound in 4:1 twill interlacings and self-patterned by reversing of faces.

Three Panels, 1712/13

A work made of glass, mosaic glass technique.

Inlays in the Shape of a Lotus Bud, 1st century BCE-1st century

Ancient Roman

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