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A work made of color lithograph on newsprint.

Order Reigns in Chicago!, from Puck, published April 18, 1887

C. Jay Taylor

A work made of etching and drypoint in black ink on cream japanese paper.

C. L. Drouet, Sculptor, 1859

James McNeill Whistler

A work.

Fragments, 700 CE-900 CE

Nasca

Small iron sculpture of a dragon with a serpentine body, legs with talons, and long tail, all made of moveable joints.

Articulated Dragon, c. 1880

School of Myochin

A work made of color woodblock print; chuban.

The Chinese Immortal Seiobo (C: Xi Wang Mu, Queen of the West), c. 1770s

Katsukawa Shunsho

Engraving of a seated nude woman washing her feet in a small fountain, two men and town buildings behind.

Susanna Surprised by the Elders, from The Story of Susanna, 1555

Heinrich Aldegrever

A work made of color lithograph on ivory wove paper.

Nosegays for Lovers, 1967

Fred C. Martin

A work made of color lithograph on newsprint.

Who Cares?, from Puck, published October 15, 1890

C. Jay Taylor

A work made of color lithograph on newsprint.

The Man Who Dares - and the Men who Dare N't, from Puck, published September 5, 1888

C. Jay Taylor

A work made of oil on canvas.

The Old Temple, 1787/88

Hubert Robert

Etching of a male figure with a halo, wearing elaborate drapery, a book open on his knee and dipping a pen into ink. A dove flies in the upper-right corner, and an eagle sits in the lower left.

Saint John the Evangelist, 1567

Paolo Farinati

A work made of glass; colorless, blown, transparent enamels and gilding.

Beaker, 1842 or later

C. L. Hoffmeister

A work made of etching in black on ivory wove paper.

Pont Sully, 1933

Everett C. McNear

A work made of etching and engraving on ivory laid paper.

Head of an Old Woman (so-called portrait of Visscher's mother), c. 1649-58

Cornelis Visscher

A work made of offset lithograph in black on ivory wove paper.

H.C. Westermann, 1961

H. C. Westermann

Painting of the Annunciation, dove flying above Mary with angel.

The Annunciation, 1490–95

Jean Hey, (the Master of Moulins)

Black bowl with a narrow red base and embossed elements in red, including a floral border at top and bottom and Chinese characters in the middle.

Lacquer Tea Bowl 乾隆禦制雕漆盞, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)

Print in black ink of an altarpiece with five panels framed by decorative columns. A large central panel of the Virgin Mary and Christ Child with cherubs is flanked by two stacked vertical panels of human figures on either side. Three arches top the structure.

Altarpiece with the Beautiful Virgin of Regensburg and Saints Christopher, Mary Magdalen, Florian and Catherine Standing in Niches, with God the Father Above, 1519/38

Albrecht Altdorfer

A work made of engraving in gray-black on paper.

The Prophet Amos, c. 1470

Baccio Baldini

Print in black ink of five nude people in an outdoor rural setting. An older woman with a wrinkled face and sagging breasts faces the viewer at center, her gaze cast downward. She is flanked by two younger couples: one on the left in a seated embrace and another on the right in a standing embrace. A cupid at bottom left looks on.

Allegory of Envy, c. 1505

Cristofano Robetta

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