Results for C%C3%A9zanne's%20Harlequin

A work made of oil and collage on panel.

Towards a definitive statement on the coming trends in men's wear and accessories (c) Adonis in Y-fronts, 1962

Richard Hamilton

A work made of ballpoint pen, felt-tip pen, pastel, graphite pencil, and colored pencil on cream wove paper.

Workbook C, 1972

Joseph Yoakum

Mizuhiki-Ha—C, 1990

Hamanishi Katsunori

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Vase, c. 1800

Fürstenberg Porcelain Factory

Goblet, 1940–55

Dorothy C. Thorpe

Bowl, 1943

Dorothy C. Thorpe Inc.

Engraving of a decaying classical structure. Wooden scaffolding is exposed, and the ceiling is gone. A pair of small birds sits perched on a high beam. Beneath them are various people and animals depicting the Nativity, including a man and a woman with a head covering tending to a baby at center.

The Nativity and the Adoration of the Shepherds, c. 1512

Nicoletto da Modena

A work made of etching and drypoint in black ink on cream japanese paper.

C. L. Drouet, Sculptor, 1859

James McNeill Whistler

Slings

Tunic Fragments (?), 1000-1476

A work made of soft-paste porcelain with purple enamel and gilding.

Teacup, Coffee Cup, and Saucer, c. 1770

Worcester Porcelain Factory

A work made of dehua ware (blanc de chine); porcelain.

Octagonal Covered Censor and Stand (Marco Polo Vessel), Qing dynasty (1644–1911)

Stoneware cup with cover and saucer decorated with bright blue, yellow and white ornaments.

Cup with Cover and Saucer, c. 1780

Wedgwood Manufactory

A work made of muslin, plain weave; embroidered with cotton thread in satin and eyelet stitches.

Skirt of a Dress Pattern, c. 1810

A work made of cotton, bobbin part lace; cloth work tapes with decorative openings.

Bertha and Two Cuffs (Made from a Border), 1895/1905

A work made of silk, plain weave with supplementary patterning wefts tied by supplementary binding warps in plain interlacings.

Three Panels (Furnishing Fabric ?), c. 1725

Three Panels, 19th century

A work made of cotton, plain weave; wax resist dyed (batik).

Three Lengths, 1875/1925

A work made of cotton, plain weave; block printed.

Panel, 1825/75

Towards a definitive statement on the coming trends in men's wear and accessories (c) Adonis in Y-fronts, 1962

Workbook C, 1972

Mizuhiki-Ha—C, 1990

Vase, c. 1800

Goblet, 1940–55

Bowl, 1943

The Nativity and the Adoration of the Shepherds, c. 1512

C. L. Drouet, Sculptor, 1859

Slings

Tunic Fragments (?), 1000-1476

Teacup, Coffee Cup, and Saucer, c. 1770

Octagonal Covered Censor and Stand (Marco Polo Vessel), Qing dynasty (1644–1911)

Cup with Cover and Saucer, c. 1780

Skirt of a Dress Pattern, c. 1810

Bertha and Two Cuffs (Made from a Border), 1895/1905

Three Panels (Furnishing Fabric ?), c. 1725

Three Panels, 19th century

Three Lengths, 1875/1925

Panel, 1825/75

Caudle Cup with Cover and Stand, 19th century (Reproduction); 1664/65 (Original)

Towards a definitive statement on the coming trends in men's wear and accessories (c) Adonis in Y-fronts, 1962

Workbook C, 1972

Mizuhiki-Ha—C, 1990

Vase, c. 1800

Goblet, 1940–55

Bowl, 1943

The Nativity and the Adoration of the Shepherds, c. 1512

C. L. Drouet, Sculptor, 1859

Slings

Tunic Fragments (?), 1000-1476

Teacup, Coffee Cup, and Saucer, c. 1770

Octagonal Covered Censor and Stand (Marco Polo Vessel), Qing dynasty (1644–1911)

Cup with Cover and Saucer, c. 1780

Skirt of a Dress Pattern, c. 1810

Bertha and Two Cuffs (Made from a Border), 1895/1905

Three Panels (Furnishing Fabric ?), c. 1725

Three Panels, 19th century

Three Lengths, 1875/1925

Panel, 1825/75

Caudle Cup with Cover and Stand, 19th century (Reproduction); 1664/65 (Original)