Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of lithograph in black with second fawn tint stone on ivory wove paper.

Church of the Grand Palace, Petrodvorets, c. 1820

C. Schultz

A work made of color lithograph on newsprint.

Free-Trade Bugaboo, from Puck, n.d.

C. Jay Taylor

A work made of lithograph in black with fawn tint on ivory wove paper.

Monument to the Glorious Memory of Emperor Nicholas I, 1855–1900

C. Schultz

A work made of drypoint in brown on cream laid paper.

Summer Afternoon, n.d.

C. Winston Haberer

A work made of woodblock print; edition 20/50.

Road to Ikaruga C (Ikaruga michi C), 1970

Sasajima Kihei

A work made of albumen print, stereo.

Bingham Canon, Telegraph Mine, near Salt Lake Utah, n.d.

C. W. Carter

A work made of gelatin silver print.

IP, Photograph of Self (C), New York, July 1992, printed October 1994

Irving Penn

A work made of chromogenic print.

M. & I. C. Chicago, Illinois, February 1968

Frank Barsotti

A work made of pen and black ink on off-white wove translucent graph paper.

Isometric Systems in Isotropic Space - Map Projections: The Lemon (prolate ovoid), 1974

Agnes C. Denes

A work made of lead-glazed earthenware.

Tureen and Stand, c. 1750

Pont-Aux-Choux Factory

A work made of color lithograph on newsprint.

The Palace of Poverty, from Puck, n.d.

C. Jay Taylor

A work made of gelatin silver print.

Human Dust (5), 1969

Agnes C. Denes

A work made of glass.

Vase, 1940–42

Dorothy C. Thorpe Inc.

A work made of wool, plain weave; tied and free double cloth; main warp fringe.

Carpet Fragments, 1860/80

A work made of hand-color aquatint on paper.

Celebration of the Fourth of June at Eton, 1837

C. O. Lewis

A work made of soft ground etching in blackish brown on pinkish ivory wove paper.

Asheville Nouveau, 1929

Frances S. C. Badger

A work made of charcoal, with stumping and erasing, over traces of graphite, on cream wove tracing paper.

Automobile Show, 1920/30

William C. Both

A work made of silk embroidery on wool ground backed with linen.

Sampler, 1820

C. S. Peake

A work.

Kesa, late Edo period (1789–1868), late 18th/early 19th century

A work made of woodburytype, from the periodical “galerie contemporaine littéraire, artistique” (1879), volume 8.

Paul de Cassagnac (French writer and political journalist, 1842-1904), 1876/79

C. Klary

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