Curator

Art Institute Chicago
Harvard art museum
My Exhibition

A work made of pen and brown ink with brush and brown wash, over graphite, and black crayon on cream wove paper, perimeter mounted on ivory laid paper.

Three Sketches of an Equestrian Battle and a Sketch of Two, 1813/14

Jean Louis André Théodore Géricault

A work made of pen and brown ink with brush and brown wash, over black chalk, on tan laid paper laid down on cream laid paper.

Battle of Lapiths and Centaurs, n.d.

A work made of graphite with brush and brown wash and black crayon on tan wove paper, perimeter mounted on ivory laid paper.

Sketches of a Cavalry Battle, Head, and Paws of a Greyhound, 1813/14

Jean Louis André Théodore Géricault

A work made of lithograph in black on off-white china paper, laid down on white wove paper.

Napoleon in Battle, from The Political and Military Life of Napoleon, 1822–26

A. Champion

A work made of pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board.

Telemachus Battles the Lion, from The Adventures of Telemachus, Book 2, 1808

Bartolomeo Pinelli

A work made of albumen print, plate 34 from the album "photographic views of the sherman campaign" (1866).

The Battle Field of Peach Tree Creek, Ga., 1864/66

George N. Barnard

A work made of graphite, on cream wove paper, perimeter mounted on ivory laid paper.

Three Studies with Sketches of a Wooded Landscape and a Cavalry Battle, 1813/14

Jean Louis André Théodore Géricault

A work made of graphite, pen and brown ink, and brush and brown wash on cream wove paper, perimeter mounted on ivory laid paper.

Sketches of a Cavalry Battle, A Landscape with Cows, and Other Compositions, c. 1814

Jean Louis André Théodore Géricault

A work made of albumen print, plate 25 from the album "photographic views of the sherman campaign" (1866).

Battle Field of New Hope Church, GA, No. 1, 1866

George N. Barnard

A work made of albumen print, pl. 21 from the album "gardner's photographic sketch book of the war, vol. 1" (1866).

Dunker Church, Battle-Field of Antietam, Maryland, July 1863

James Gardner

A work made of hand-colored woodblock print; uncut hosoban diptych, urushi-e.

Kumagai Naozane and Taira no Atsumori at the battle of Ichi-no-tani, c. 1720

Kondo Kiyoharu

A work made of albumen print.

Untitled (Army camp, perhaps from the Battle of Lookout Mountain, Chattanooga, Tennessee), c. 1863

Charles Peck

A work made of pen and brown ink with brush and brown wash (recto and verso), on ivory laid paper.

Cecrops' Daughters Uncover Erichthonius (recto); A Battle Scene (verso), 1577/78 (recto); n.d. (verso)

Anthonie van Montfoort Blocklandt

Fragments of an Amphora (Storage Jar)

Fragments of an Amphora (Storage Jar), 520-500 BCE

Ancient Greek

A work made of wood engraving on paper.

The Battle of Bunker Hill—Watching the Fight from Copp's Hill, in Boston, published June 26, 1875

Winslow Homer

A work made of albumen print, plate 37 from the album "photographic views of the sherman campaign" (1866).

Battle Field of Atlanta, GA, No. 2, July 22, 1864

George N. Barnard

A work made of etching on cream wove paper.

Wounded Soldier in Flight (Battle of the Somme, 1916), from War, 1924

Otto Dix

A work made of albumen print, plate 22 from the album "photographic views of the sherman campaign" (1866).

Battle Ground of Resacca, GA, No. 4, 1866

George N. Barnard

A work made of lithograph in black on white wove paper.

A Unusual Battle Between El Cid and the Emperor of Morocco, plate 117 from Actualités, 1859

Honoré-Victorin Daumier

A work made of pen and black and brown ink, with brush and gray wash, on ivory laid paper.

Battle Scene, n.d.

Jan Luyken