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A work made of oil on canvas.

Woman with a Green Book (Louisa Gallond Cook), 1838

Erastus Salisbury Field

A work made of color woodblock print; hosoban.

Actors Segawa Kikunojô II as Reizei, Ichikawa Komazô I as Suruga no Hachirô, and Ichikawa Yaozô II as Tada no Kurando in “The Genji Clan Now at Its Zenith” (“Ima o sakari suehiro Genji”), About 1768

Katsukawa Shunsho

A work made of black pencil.

Wall Drawing #63: A wall is divided into four horizontal parts. In the top row are four equal vertical divisions, each with lines in a different direction. In the second row, six double combinations; in the third row, four triple combinations; in the bottom row, all four combinations superimposed, 1971

Sol LeWitt

A wooden sculpture of the head and neck of a person, the skin painted gold, a geometrically decorated long wig, and many painted symbols.

Funerary Mask, Late Ptolemaic Period-early Roman Period, 1st century BCE

Ancient Egyptian

A work made of terracotta, black-figure.

Amphora (Storage Jar), 490-480 BCE

Michigan Painter

Photograph of an orange-red abstract sculpture of thin, rounded metal sheets bent in a manner suggesting wings, with a long, thin appendage, resting on an outdoor lawn.

Flying Dragon (intermediate maquette), 1975

Alexander Calder

A work made of color video, sound; 29 min. loop.

Official Welcome, 2003

Andrea Fraser

A work made of painted enamel on copper with gilding.

Tazza with Moses Striking Water from the Rock, 1570/75

Jean Court

A work made of oil on canvas.

Abigail Chesebrough (Mrs. Alexander Grant), 1754

Joseph Blackburn

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

They Play Another with the Cape in an Enclosure, plate four from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of ceramic and pigment.

Stirrup Spout Vessel with Fineline Deer Hunt Motifs, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Handle Spout Vessel Depicting Rows of Beans and Dots, 100 BCE–500 CE

Moche

Terracotta sculpture of a woman of African descent's face: her hair is flattened against her skull, extending down to the figure’s neck, and its texture is delineated with small incisions. Her face possesses a prominent forehead, broad nose, and full lips. The sculpture is both highly individual yet also timeless and universal.

Head of a Black Woman, c. 1935

Sargent Claude Johnson

A work made of oil on canvas.

The Coast of Labrador, 1866

William Bradford

A work made of color woodblock print; oban.

Mishima—No. 12, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of oil on canvas.

Crossing the Ford, 1848

George Inness

A work made of earthenware (red bodied), slip, colored underglaze decoration, and tin glaze.

Plate with Still Life, 1922–23

Henry Varnum Poor

A work made of silver.

Water Pitcher, 1910

Peter Berg

A work made of color woodblock print; chuban.

Weaving silk, plate 11 from the series "Silkworm Cultivation (Kaiko yashinai gusa)", c. 1772

Katsukawa Shunsho

A work made of single-channel video, color, sound; 29 min..

Museum Highlights: A Gallery Talk, 1989

Andrea Fraser

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