Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood and pigment.

Headrest (Musawu), Late 19th to early 20th century

Yaka

A work made of steel and cast iron.

Diamond Africa with Chair Tuned D E A D, 1981

Bruce Nauman

A work made of oil on canvas.

The Rapidity of Sleep, 1945

Yves Tanguy

Tile

Tile, 1680–1800

Talavera Poblana

A work made of oil on canvas.

Chartres Cathedral, 1930

Elie Lascaux

A work made of oil on canvas.

Portable Garbo, 1941

Wilhelm Freddie

A work made of oil on canvas.

North River Shad, c. 1910

William Merritt Chase

A work made of color woodblock print; oban.

Oumayagashi, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; hosoban, mizu-e.

The Maple Festival (Momiji no ga) from chapter 7 of The Tale of Genji, early 1760s

Kitao Shigemasa

Painting of an arid landscape in blue, beige, and gray. At left, a dark figure-like form sits atop a beige archway, two gray kidney shapes below it.

Untitled (Dream of Venus) formerly Visions of Eternity, 1939

Salvador Dalí

Light House: The Art of Living Lightly

Light House: The Art of Living Lightly, 2015

all(zone) Co., Itd.

A work made of color woodblock print; oban.

Lake Chuzenji, Nikko (Nikko Chuzenjiko), 1930

Kawase Hasui

A work made of wood and metal.

Male Face Mask (N'tomo), Late 19th or early 20th century

Bamana

A work made of oil on canvas.

A Magdalen, c. 1896

Walter MacEwen

Shiny silver cup with lid, two handles with leaf designs

Two-Handled Covered Cup, 1698–1720

Cornelius Kierstede

A work made of wood, raffia, and pigment.

Helmet Mask (Kholuka or Mbala), Late 19th-early 20th century

Yaka

A work made of acrylic on canvas.

Sally Slips Bye-Bye, 1972

Jim Nutt

A work made of earthenware with green lead glaze.

Wellhead with Dragon Heads, Eastern Han dynasty (A.D. 25–220)

A work made of oil on canvas.

A Boy Named Alligator, 1930

Kathleen Blackshear

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another madness of his in the same ring, plate 19 from The Art of Bullfighting, 1815, published 1816

Francisco José de Goya y Lucientes

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