Curator

  • Art Institute Chicago
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A work made of hand-colored woodblock print; hosoban, urushi-e.

The Actor Segawa Kikunojo I as Hanjo in the play "Tsumagoi Sumidagawa," performed at the Nakamura Theater in the third month, 1733, 1733

Torii Kiyomasu II

A work made of aluminum.

Miss Expanding Universe, 1932

Isamu Noguchi

A work made of oil on canvas.

The Solemn Pledge, Taos Indians, 1916

Walter Ufer

A work made of tin-glazed earthenware with copper luster.

Jug with Bartoli Coat of Arms, 1458

A work made of oil on canvas.

Reminiscence of a Cathedral, 1920/23

František Kupka

A work made of copper alloy.

Goldweight Depicting a Standing Male Figure, Mid–19th/mid–20th century

Asante

A work made of wool and silk, slit and double interlocking tapestry weave warp: count: 7 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.7–0.9 mm weft: count: varies from 17 to 30 wefts per cm; wool: s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; diameters: 0.5–1.2 mm; silk: pairs of s-ply of two z-twisted elements; diameters: 0.5–1.2. mm.

Venus and Adonis (?) with the Duck Hunt, c. 1600

Jacques Geubels, I

A work made of earthenware and glaze.

Teardrop Bottle, 1963

Gertrud Natzler

An abstract assemblage of highly colorful, textured, patchwork fragments vaguely form a moustached human figure and architectural elements.

Man with a Pipe, 1915

Pablo Picasso

A work made of color woodblock print; oban.

Snow at Benzaiten Shrine in Inokashira Pond (Inokashira no ike Benzaiten no yashiro yuki no kei), from the series "Snow, Moon, and Flowers at Famous Places (Meisho setsugekka)", c. 1844/45

Utagawa Hiroshige

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

They Play Another with the Cape in an Enclosure, plate four from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of oil on panel.

Figure, 1932

Joan Miró

A work made of oil on panel.

William Bonham, March 4, 1825

William Bonnell

A work made of gilt copper, champlevé enamel.

Plaque with the Crucifixion, 1200/10

Limoges Pottery and Porcelain Factories

Painting of overlapping squares in grey, yellow, gold, and orange.

Homage to the Square: Light Passage, 1956

Josef Albers

A work made of oil on canvas.

Little Sneerer, March 1944

Jean Dubuffet

Portrait of a light-skinned man in a long white wig and red-orange coat, holding a folded piece of paper and standing next to a desk, a large sailing ship off his left shoulder.

Richard Bill, 1733

John Smibert

Terracotta pitcher with a black glaze, faint stripes incised around its bulbous body.

Oinochoe (Pitcher), 550-500 BCE

Ancient Etruscan

A sepia-toned still from a video work. A tall African American man dressed in a trench coat, a hat, and sneakers kicks a metal bucket down a street at night. A white car passes by and streetlamps illuminate the scene.

Phat Free, 1995/99

David Hammons

Painting of long, thin pairs of symmetrical black triangles of various dimensions, joined at their bases along the centerline of the canvas to create a horizontal stripe-like effect on a white background.

Ascending and Descending Hero, 1965

Bridget Riley

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