Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink and colored crayons on cream wove paper (discolored to buff), pieced.

The Arrival of the Muses of Art at Architecture, 1890

Jan Toorop

Color print of travelers of foot and horseback following a grassy route flanked by Japanese bungalows and groves of trees.

Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido), c. 1837/42

Utagawa Hiroshige

Wooden sculpture of seated king surrounded by family.

Veranda Post (Òpó Ògògá), 1910-14

Olowe of Ise

A work made of book.

Bauhaus: Art as Life, 2012

APFEL

A work made of wood and paint.

Parrot, 1870–90

Wilhelm Schimmel

Portrait of a woman in white with a bonnet perched on an architectural feature painting something to her right, a spouting water fountain, greenery, and a an ornate, low white fence behind her. Beside her, a man leans back, eying the canvas.

The Fountain, Villa Torlonia, Frascati, Italy, 1907

John Singer Sargent

A work made of the reflecting pool, 1977-79, 6:58 min.; moonblood, 1977-79, 12:48 min.; silent life, 1979, 13:14 min.; ancient of days, 1979-81, 12:21 min.; vegetable memory, 1978-80, 15:13 min. color video, sound (projection); 62 min. loop.

The Reflecting Pool: Collected Works, 1977–80

Bill Viola

A work made of mahogany and white pine, with mahogany, birch, and maple veneers.

Cylinder Desk and Bookcase, 1800–10

Artist unknown

In a stark desert landscape, an older man sits in the foreground, illuminated, with a newspaper. Arranged evenly across the land behind him, smaller than perspective would indicate, are a faded child holding a hula hoop, a man holding a melting piano, a standing woman, and a figure near the horizon.

A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano, 1936

Salvador Dalí

Abstract painting with dominant red, yellow, and blue tones. Densely commingled forms, many outlined in black or brown strokes, fill the canvas.

The Key, 1946

Jackson Pollock

A rectangular painting on light, vivid orange features a deeper orange block set atop a yellow block. The colors of each element are only loosely blended and lightly applied, so various tones are visible.

Untitled (Painting), 1953/54

Mark Rothko

A work made of gilt copper, champlevé enamel over wood core.

Reliquary Casket, c. 1200

A work made of painted wood and metal.

America, 1939–45

Frank Memkus

A work made of collage.

Mockup collage for endsheets for "Memoir of an Art Gallery", c. 1977

Unknown

Terracotta pitcher decorated with red figures on a black background, with a slender neck and base. One side features a woman holding a fan; the reverse, a stylized fan pattern.

Oinochoe (Pitcher), end of 4th century BCE

Ancient Greek

A work made of black chalk on tan wove tracing paper, laid down on ivory wove paper.

Compositional study for The Sacred Grove, Beloved of the Arts and the Muses, 1883/84

Pierre Puvis de Chavannes

Abstract painting, black background covered with flicks and smudges of white and other colors.

Greyed Rainbow, 1953

Jackson Pollock

A work made of tin-glazed earthenware.

Large Plate, 1775–1825

Talavera Poblana

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills. At center a woman in a bright-yellow coat and skirt holds the hand of a child in red, who pulls to turn her toward the others.

Love of Winter, 1914

George Wesley Bellows

A work made of silver gilt over a wooden core; foot: copper gilt.

Altar Cross, c. 1325; foot: 15th century

<<<891011 >>>