Curator

  • Art Institute Chicago
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A work made of glazed stoneware.

Raku Ware Teabowl with Image of Mount Fuji, Late 18th century

Raku Ryōnyū

A work made of earthenware.

Bean pot, 1849–58

Lyman, Fenton & Co.

A work made of earthenware with three-color (sancai) lead glazes.

Camel and Rider, Tang dynasty (618–907), first half of 8th century

A work made of bronze, cast in 1957, from an edition of five plus one.

Working Model for UNESCO Reclining Figure, 1957

Henry Moore

A work made of marble.

Leda, 1920

Constantin Brancusi

Painting of overlapping squares in grey, yellow, gold, and orange.

Homage to the Square: Light Passage, 1956

Josef Albers

A work made of terracotta.

Commemorative Head, Probably mid–17th/mid–18th century

Edo

A work made of oil on canvas.

The Seine at Vernonnet, c. 1930

Pierre Bonnard

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Covered Jar, 19th century

A work made of acrylic on fiberglass and plywood.

Black Panel, 1989/99

Ellsworth Kelly

A work made of terracotta, red-figure.

Column-Krater (Mixing Bowl), about 450 BCE

Ancient Greek

A work made of oil on canvas.

The Checkered Tablecloth, 1939

Pierre Bonnard

A work made of color woodblock print; oban.

The Actor Bando Shucho III as Shizuka Gozen, from the series “Collection of Portraits by Shunsen (Shunsen nigao shu)", 1925

Natori Shunsen

A work made of oil on hardboard.

Madawaska—Acadian Light-Heavy, 1940

Marsden Hartley

An abstract steel sculpture of welded metal parts suggesting a human figure with long, thin legs and a bulkier shoulder area.

Hero Construction, 1958

Richard Hunt

A work made of stoneware and glaze.

Vessel, c. 1946

Maija Grotell

Painting of long, thin pairs of symmetrical black triangles of various dimensions, joined at their bases along the centerline of the canvas to create a horizontal stripe-like effect on a white background.

Ascending and Descending Hero, 1965

Bridget Riley

A work made of terracotta.

One of a Pair of Shrine Figures, Late 19th/early 20th century

Ewe

A work made of earthenware with three-color (sancai) lead glazes and traces of polychrome pigments.

Seated Woman Holding Mirror, Tang dynasty (A.D. 618–907), first half of 8th century

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

For Sunday's Dinner, 1888

William Michael Harnett

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