Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of ceramic and pigment.

Handle Spout Jug with Quadruped Motifs, 100 BCE–500 CE

Moche

A work made of stoneware painted in underglaze iron brown.

Jar with Dragon Chasing Flaming Pearl, Joseon dynasty(1392–1910), 17th century

A work made of wood and pigment.

Helmet Mask (Banda or Kumbaduba), Mid–20th century

Baga

Oil portrait with man in suit, dim green background.

Henry Ossawa Tanner, c. 1896

Hermann Dudley Murphy

A work made of oil on glass bottle.

Untitled (Woman-Bottle), c. 1943

René Magritte

A work made of basalt.

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Aztec (Mexica)

Painting of a figure with a face that seems to be bisected at center and mirrored, with a set of green eyes and a set of red eyes below. Though the figure has one head, it has two bodies: a nondescript male torso at left and a female torso with prominent breasts at right. The background is a uniform blue. A spiny yellow vine suggests a neck at left. At right, another suggested neck features cone-like protrusions identical to the nipples on the female torso.

Gemini, 1938

Victor Brauner

A work made of lithographic poster on white wove paper.

Chicago Art Exposition, 1982

Jack Tworkov

A work made of aluminum, iron, and paint.

(3 x 5) + 1, 1949

Alexander Calder

A work made of brass.

Plaque, 16th/17th century

Edo

A work made of oil on canvas.

Antwerp, 1906

Georges Braque

A work made of silver, cast with base worked in repoussé.

Buddha Seated in Meditation, 18th–19th century

A work made of favrile glass and bronze.

Lily Lamp, 1902–17

Tiffany Studios (Firm)

A work made of oil on canvas.

Caliente, 1985

Ed Paschke

A work made of oak.

Armchair, 1908

Frank Lloyd Wright

A white glass bottle with a narrow neck decorated with reliefs of columns and vases or pitchers.

Bottle, 1st century

Ancient Roman

A work made of terracotta, black-figure.

Amphoriskos (Container for Oil), 600-575 BCE

Ancient Greek

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

A Picador is Unhorsed and Falls under the Bull, plate 26 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of ivory.

Tusk, 1850-1888

Edo

An abstracted work made of irregular pieces of stretched canvas bonded together, creating a funnel shape that protrudes out to form a dark hole.

Untitled, 1960

Lee Bontecou

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