Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood and pigment.

Headdress (Igi Gelede), Mid- to late 20th century

Yoruba

Large bowl completely covered in scenes of battles on land and sea.

Wine Cistern, 1553

Francesco Durantino

A work made of painted enamel on copper with gilding.

Tazza with Moses Striking Water from the Rock, 1570–75

Jean de Court

Photograph of an orange-red abstract sculpture of thin, rounded metal sheets bent in a manner suggesting wings, with a long, thin appendage, resting on an outdoor lawn.

Flying Dragon (intermediate maquette), 1975

Alexander Calder

A work made of color video, sound; 29 min. loop.

Official Welcome, 2003

Andrea Fraser

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another madness of his in the same ring, plate 19 from The Art of Bullfighting, 1815, published 1816

Francisco José de Goya y Lucientes

A work made of linen, cotton, rayon, and cellophane yarns, bouclé yarns, and chenille yarns, plain weave.

Panel (Casement Fabric), 1946/47

Ed Rossbach

A wooden sculpture of the head and neck of a person, the skin painted gold, a geometrically decorated long wig, and many painted symbols.

Funerary Mask, Late Ptolemaic Period-early Roman Period, 1st century BCE

Ancient Egyptian

Terracotta sculpture of a woman of African descent's face: her hair is flattened against her skull, extending down to the figure’s neck, and its texture is delineated with small incisions. Her face possesses a prominent forehead, broad nose, and full lips. The sculpture is both highly individual yet also timeless and universal.

Head of a Black Woman, c. 1935

Sargent Claude Johnson

A work made of oil on canvas.

Abigail Chesebrough (Mrs. Alexander Grant), 1754

Joseph Blackburn

A work made of ceramic and pigment.

Handle Spout Vessel Depicting Rows of Beans and Dots, 100 BCE–500 CE

Moche

A work made of ceramic and pigment.

Stirrup Spout Vessel with Fineline Deer Hunt Motifs, 100 BCE–500 CE

Moche

A work made of oil on canvas.

The Coast of Labrador, 1866

William Bradford

A work made of color woodblock print; oban.

Mishima—No. 12, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

A work made of silver.

Water Pitcher, 1910

Peter Berg

A work made of oil on canvas.

Crossing the Ford, 1848

George Inness

A work made of glass.

Vase, 1940

Steuben Division, Corning Glass Works

A work made of color woodblock print; chuban.

Weaving silk, plate 11 from the series "Silkworm Cultivation (Kaiko yashinai gusa)", c. 1772

Katsukawa Shunsho

A work made of single-channel video, color, sound; 29 min..

Museum Highlights: A Gallery Talk, 1989

Andrea Fraser

A work made of earthenware (red bodied), slip, colored underglaze decoration, and tin glaze.

Plate with Still Life, 1922–23

Henry Varnum Poor

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