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  • Art Institute Chicago
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A work made of oil on canvas.

Diego Seated in the Studio, 1950

Alberto Giacometti

A work made of tin-glazed earthenware.

Bowl, 1800–50

Talavera Poblana

A work made of silver-plated bronze.

Pair of Candlesticks, c. 1906

Robert Riddle Jarvie

A work made of wood and beads.

Female Figure, Early/mid–20th century

Hehe

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Trumpet Player, c. 1760/70

Vienna State Porcelain Manufactory

A work made of oil on canvas.

Isaku Yanaihara, 1956

Alberto Giacometti

A work made of bronze.

Dancer and Gazelles, 1916

Paul Manship

A work made of wood, pigment, and fiber.

Face Mask (Kanaga), Early to mid–20th century

Dogon

A work made of oil on canvas.

Among the Redwoods, 1920

Wallace L. DeWolf

A work made of hand-colored woodblock print; uncut hosoban triptych, urushi-e.

Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left), c. 1755

Torii Kiyohiro

A work made of hand-colored woodblock print; hosoban, urushi-e.

The Actor Ichikawa Ebizo II casting a curse at the hour of the ox, c. 1745

Torii Kiyomasu II

A work made of oil on canvas.

Maya, Mirror of Illusions, c. 1910

Arthur B. Davies

A work made of ceramic and pigment.

Bowl Depicting Abstract Plants, Probably Cactus, 180 BCE–500 CE

Nasca

A work made of terracotta, black-glaze.

Lekythos (Oil Jar), about 400 BCE

Ancient Greek

A work made of ceramic and pigment.

Flaring Bowl with Curving Step Design on Interior Rim, 100 BCE–500 CE

Moche

A work made of oil on canvas.

Ballet Skirt or Electric Light (from the White Rose Motif), 1927

Georgia O'Keeffe

A work made of charcoal with stumping and graphite on cream laid paper.

Sketches of Legs and Feet, 1917/21

John Singer Sargent

A work made of color woodblock print; oban.

Hodogaya: Katabira River and Katabira Brige (Hodogaya, Katabiragawa Katabirabashi)—No. 5, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Reisho Tokaido, c. 1847/52

Utagawa Hiroshige

Thin, flat metal shapes form a loosely symmetrical sculpture atop a wide base. Near the top, radiating spindles form an open, cone-like shape.

Maquette for Richard J. Daley Center Sculpture, 1964

Pablo Picasso

Painting of an Indigenous woman native to Mexico bent and seated on a brown floor, using red thread to create a geometric design on a backstrap loom. Earth tones dominate, while a dresser in the background and the bottom portion of the woman's white dress are a deep blue.

Weaving, 1936

Diego Rivera

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