Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816
Francisco José de Goya y Lucientes
E-27: French Library of the Modern Period, 1930s, c. 1937
Narcissa Niblack Thorne
Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999
Studio Blue
Jar with Tubular Handles, Peonies, “Endless Knot,” Pendant Balls, and Pendant Lozenges, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–1795)
Group of Trees, n.d.
Paul Dougherty
The Solitude of the Soul, modeled in plaster 1901; sculpted in marble 1914
Lorado Taft
Male Figure (Nkisi Nkondi), Probably early to mid-19th century
Vili
Croquet Scene, 1866
Winslow Homer
School of Contemporary Art Life Class, 1956/57
Richard Aberle Florsheim
Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE
Moche
How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823
Hippolyte Bellangé
Oct. 31, 1978 (Today Series, "Tuesday"), 1978
On Kawara
Bowl with Textured Surface Decoration, 900–1000
Ancestral Pueblo (Anasazi)
Fisherman's Cottage, 1906
Harald Oscar Sohlberg
Volunteer, 1963/64
James Rosenquist
Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920
Max Ernst
Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400
Ancestral Pueblo (Anasazi)
Bird Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century
The Restaurant of the Great Art Exhibition: A symbiotic love for the arts and the cutlet, 1868, printed 1920