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A work made of book with woodcuts and letterpress in black on cream laid paper.

The Art of Wrestling: Eighty-Five Pieces (Ringer Kunst: Fünff und Achtzig Stücke), 1539

Lucas Cranach, II

A work made of black crayon on off-white wove card.

Group of Trees, n.d.

Paul Dougherty

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Another way of hunting on foot, plate two from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Painting of four figures in blue, red, brown dresses playing croquet.

Croquet Scene, 1866

Winslow Homer

A wooden carving of a male figure. The figure has a distinctive face, with oval-shaped eyes and mouth, and wears a cap on his head. His body is covered in various shells, bones, feathers, fabric, and metal nails, and he holds a mirror-sealed resin packet over his stomach.

Male Figure (Nkisi Nkondi), Probably early to mid-19th century

Vili

A light-brown, kettlebell-shaped vessel with a top spout features a red line drawing of a seated warrior facing right, wearing a stylized patterned dress and holding a weapon.

Stirrup Spout Vessel with Fineline Enthroned Warrior Motif, 100 BCE–500 CE

Moche

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction

Marcel Duchamp: The Art of Making Art in the Age of Mechanical Reproduction, 1999

Studio Blue

A work made of acrylic on canvas, with two newspapers.

Oct. 31, 1978 (Today Series, "Tuesday"), 1978

On Kawara

Conical-shaped bowl with sides angled outward, a smooth black interior, and a bumpy exterior that is black along the rim and graduates to a reddish-brown color.

Bowl with Textured Surface Decoration, 900–1000

Ancestral Pueblo (Anasazi)

Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.

Fisherman's Cottage, 1906

Harald Oscar Sohlberg

A work made of oil on canvas.

Volunteer, 1963/64

James Rosenquist

A work made of watercolor with pen and black ink, over traces of graphite, on off-white illustration board.

School of Contemporary Art Life Class, 1956/57

Richard Aberle Florsheim

A work made of lithograph in black on ivory wove paper.

How Beautiful are the Arts, from Croquis Lithographiques...1823, 1823

Hippolyte Bellangé

Bone-colored bowl with interior decorations of bone-colored zig-zags, diamonds, and lines on a black background, a circle at the interior base.

Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400

Ancestral Pueblo (Anasazi)

A work made of stoneware with celadon glaze and underglaze incised decoration.

Bird Shaped Ewer with Daoist Priest, Goryeo dynasty (918–1392), 12th century

A work made of oil on canvas.

The Fates Gathering in the Stars, 1887

Elihu Vedder

A work made of pen lithograph on tan wove paper.

Plate Three, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of bone, cow horn, wood, iron, and silk velvet.

Casket, c. 1390-c. 1410

Workshop of the Embriachi Family

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