Results for Artist's%20Studios - Page 49 from chicago

A work made of lithograph in black on thin cream asian paper laid down on heavy ivory plate paper (chine collé).

Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler, 1892

Thomas Robert Way

Jacques-Henri Lartigue, 1981

Yousuf Karsh

The Senbikiya Store in Ginza, from the series Pictures of Ginza, First Series, December 1928

Oda Kazuma

Gentle (Yu), 1995

Fujinuma Noboru

The Damnation of the Artist (La Damnation de l’Artiste), 1889–90

Odilon Redon

Winged Victory of Samothrace (Victoire de Samothrace), 1860s

Unknown

A work made of artist book containing 12 digital inkjet prints and one artist statement.

The Untitled Book, 2003

Matt Siber

A work made of etching, with drypoint, on cream wove paper.

The Rialto, Venice, 1883

Frank Duveneck

Mary Underwood, Olive Underwood and Susan Underwood, 1839/60

Unknown

Alberto Giacometti, 1965

Yousuf Karsh

Study for "Victory", Modeled 1903; cast 1906

Evelyn Beatrice Longman

A work made of graphite on ivory wove paper.

The Eyes of F. Donald Coster, c. 1951–54

Jack Levine

Fullness (Man), 1999

Fujinuma Noboru

D'Amelio Terras Identity Materials, 2006

Project Projects

Untitled (Joan Lunden, Jane Pauley, Connie Chung, and Diane Sawyer), from the artist's series of four prints, 1986

Robert Heinecken

A work made of brown chalk (outside) and graphite and black chalk (inside) on brown wove paper.

Untitled (Female Nude; Outside); Untitled (Bust Studies; Inside), n.d.

Sylvia Shaw Judson

A work made of pen and brown ink and brush and gray wash, over graphite, on ivory laid paper, laid down on ivory laid paper.

View of City with Fishing Boat in Foreground, n.d.

Paul Bril

A work made of lithograph on white wove paper.

Tent No. 5, 1971

Stefan Suberlak

Adoration of the Magi, 1450–64, printed in the 18th century

A work made of red chalk on ivory laid paper.

Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler, 1892

Jacques-Henri Lartigue, 1981

The Senbikiya Store in Ginza, from the series Pictures of Ginza, First Series, December 1928

Gentle (Yu), 1995

The Damnation of the Artist (La Damnation de l’Artiste), 1889–90

Winged Victory of Samothrace (Victoire de Samothrace), 1860s

The Untitled Book, 2003

The Rialto, Venice, 1883

Mary Underwood, Olive Underwood and Susan Underwood, 1839/60

Alberto Giacometti, 1965

Study for "Victory", Modeled 1903; cast 1906

The Eyes of F. Donald Coster, c. 1951–54

Fullness (Man), 1999

D'Amelio Terras Identity Materials, 2006

Untitled (Joan Lunden, Jane Pauley, Connie Chung, and Diane Sawyer), from the artist's series of four prints, 1986

Untitled (Female Nude; Outside); Untitled (Bust Studies; Inside), n.d.

View of City with Fishing Boat in Foreground, n.d.

Tent No. 5, 1971

Adoration of the Magi, 1450–64, printed in the 18th century

Academic Male Nude, Half-Kneeling and Seen from the Back, n.d.

Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler, 1892

Jacques-Henri Lartigue, 1981

The Senbikiya Store in Ginza, from the series Pictures of Ginza, First Series, December 1928

Gentle (Yu), 1995

The Damnation of the Artist (La Damnation de l’Artiste), 1889–90

Winged Victory of Samothrace (Victoire de Samothrace), 1860s

The Untitled Book, 2003

The Rialto, Venice, 1883

Mary Underwood, Olive Underwood and Susan Underwood, 1839/60

Alberto Giacometti, 1965

Study for "Victory", Modeled 1903; cast 1906

The Eyes of F. Donald Coster, c. 1951–54

Fullness (Man), 1999

D'Amelio Terras Identity Materials, 2006

Untitled (Joan Lunden, Jane Pauley, Connie Chung, and Diane Sawyer), from the artist's series of four prints, 1986

Untitled (Female Nude; Outside); Untitled (Bust Studies; Inside), n.d.

View of City with Fishing Boat in Foreground, n.d.

Tent No. 5, 1971

Adoration of the Magi, 1450–64, printed in the 18th century

Academic Male Nude, Half-Kneeling and Seen from the Back, n.d.