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A work made of pen and black ink, over graphite (recto and verso), on cream wove paper.

Two Nude Women from the Back (recto); Two Nude Women (verso), n.d.

Unknown artist

A work made of mahogany, yellow pine, and tulip poplar.

High Chest of Drawers, 1750–60

Artist unknown

A work made of mahogany and white pine.

High Chest of Drawers, 1760–75

Artist unknown

A work made of ash, white oak, and silver maple.

High Chair, 1640–70

Artist unknown

A work made of maple and oak.

Chair Table, 17th century

Artist unknown

A work made of color woodblock print.

The Artist's Son, 1952

Sekino Jun’ichirō

Photo collage of two small circular portraits of men, superimposed over shadowy abstract shapes.

Untitled, 1923

El Lissitzky

A work made of woodcut in black hand colored with elements of fabric, copper alloy metal foil, and block printed distemper colorants on paper, attached to the verso and visible through cutouts, on ivory laid paper (discolored to buff), laid down on blue wove paper (discolored to tan).

The Adoration of the Einsiedeln Madonna, n.d.

Unknown artist

A work made of stoneware and salt glaze with iron and cobalt oxide glazes.

Face Flask, 1820–35

Artist unknown

Lever House: Model

Lever House: Model, 1947/52

Skidmore, Owings & Merrill

A work made of oak, maple, walnut, and mahogany.

Table, 1880–1914

Artist unknown

A work made of white pine, paint, and metal.

Chest, 1800–25

Artist unknown

A work made of earthenware.

Hound-Handled Pitcher, c. 1850

Artist unknown

A model of a 19-story office block and 25-story tower with green tinted glass curtain walls and stainless-steel mullions, or bars between the panes of glass.

Inland Steel Building: Model of Final Design, c. 1954/55

Skidmore, Owings & Merrill

A work made of walnut.

High Chair, 1740–75

Artist unknown

A work made of oil on canvas.

Mrs. Vanderveer, or Mrs. Vandeveer, 1717

Artist unknown

A work made of collage composed of photograph, graphite drawing, gouache, printed marble paper, frottage, and cut paper elements, painted, colored, and scratched with crayon on ivory wove paper.

Untitled (Loplop Presents), 1932

Max Ernst

A work made of woodcut in black ink on japanese wood veneer paper, laid down on ivory laid paper with letterpress in black ink.

Horse Radish Grinder, from Yiddish Motifs, 1926

Todros Geller

A work made of screenprint on ivory wove paper.

Angriff, from Conspiracy, The Artist as Witness, 1971

Frank Stella

A work made of pastel, with graphite, stumping and erasing on ivory wove paper.

The Artist's Mother Playing Checkers, c. 1890–91

Édouard Jean Vuillard

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