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A work made of watercolor over graphite, retouched in pen and ink, on light tan wove paper.

Portrait of the Artist's Niece in Chinese Costume, 1899

James Ensor

A work made of watercolor, opaque watercolor, and gold on paper.

Portrait of an Artist or Scholar, 17th century

Mughal

A work made of walnut.

High Chair, 1740–75

Artist unknown

A work made of oil on canvas.

Mrs. Vanderveer, or Mrs. Vandeveer, 1717

Artist unknown

A work made of color woodblock print.

The Artist's Son, 1952

Sekino Jun’ichirō

A work made of collage of commercially prepared papers and mixed media on white 2-ply board.

Untitled, 1998

Arturo Herrera

A work made of white pine.

Doorframe, 1840–60

Artist unknown

A work made of color screenprint on board.

A Penny Saved is a Penny Earned, 1942/45

Unknown artist

A work made of mahogany with white pine, cedar, and brass.

High Chest of Drawers, 1750–70

Artist unknown

A work made of oak.

Armchair, 1840–60

Artist unknown

A work made of ink, watercolor, and collage on paper.

At Jennie Richee part 20 169 (recto) Watch Approach of Black Cloud (verso) Untitled Fantastic Scene: Girls Running in Stormy Landscape, n.d.

Henry Darger

A work made of screenprint on ivory wove paper.

Angriff, from Conspiracy, The Artist as Witness, 1971

Frank Stella

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of pastel, with graphite, stumping and erasing on ivory wove paper.

The Artist's Mother Playing Checkers, c. 1890–91

Édouard Jean Vuillard

A work made of parian porcelain.

George Washington, c. 1875

Artist unknown

A work made of oil on canvas.

Woman in Black, 1820–40

Artist unknown

A work made of woodcut in black ink on japanese wood veneer paper, laid down on ivory laid paper with letterpress in black ink.

Horse Radish Grinder, from Yiddish Motifs, 1926

Todros Geller

A work made of graphite, on tan wove paper, laid down on tan card.

Rye Gate, Winchelsea, Kent, n.d.

Unknown artist

A work made of woodcut in black with pen and gray ink additions, and letterpress in black with rubrication (recto and verso), on cream laid paper.

Saint Otilia from Plenarium, Plate 27 from Woodcuts from Books of the 15th Century, c. 1483, portfolio assembled 1929

Unknown artist

A work made of oil and sand on four joined canvases, with artist's painted frame.

Corpse and Mirror II, 1974/75

Jasper Johns

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