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A work made of collage of commercially prepared papers and mixed media on white 2-ply board.

Untitled, 1998

Arturo Herrera

A work made of oil on panel.

Nicolas Rubens, the artist's son, Late 1630s

Peter Paul Rubens

A work made of watercolor on paper.

The Artist's Farm and Vineyard, n.d.

Ernst Damitz

A work made of watercolor, gouache, black transfer carbon, graphite, and collage of cut-and-pasted printed elements, with pen and black ink (recto and verso), on three sheets of cream wove paper, pieced at left and right edges, with attached inscriptions.

After The Battle of Drowsabella /After Mr. Wirther Run/At Angeline Agatha (recto); 39. at Jennie / Richee. / From the low stretch / of land from green hill / to left of this picture / they swim the ten mile / stretch of water to the land / seen to the left of / picture 38 where arrow / points (verso), n.d.

Henry Darger

A work made of transparent watercolor, with touches of opaque watercolor and traces of blotting, over graphite, on moderately thick, moderately textured, ivory wove paper (lower edge trimmed).

The Gulf Stream, probably 1899, dated by the artist "1889"

Winslow Homer

A work made of mahogany, bird's eye maple, and leather.

Card Table, 1810–20

Artist unknown

A work made of oil on canvas.

Portrait of the Artist's Father, Ismael Mengs, 1747/1748

Anton Raffael Mengs

A work made of oil on canvas.

The Artist's Daughter, c. 1860/65

Augustin Théodule Ribot

A work made of parian porcelain.

George Washington, c. 1875

Artist unknown

A work made of oil on canvas.

Woman in Black, 1820–40

Artist unknown

A work made of graphite, on tan wove paper, laid down on tan card.

Rye Gate, Winchelsea, Kent, n.d.

Unknown artist

A work made of woodcut in black ink on japanese wood veneer paper, laid down on ivory laid paper with letterpress in black ink.

Horse Radish Grinder, from Yiddish Motifs, 1926

Todros Geller

A work made of pen and black ink on ivory laid paper.

Artist, Palette and Donkey II, 1946

Marc Chagall

A work made of woodcut in black with pen and gray ink additions, and letterpress in black with rubrication (recto and verso), on cream laid paper.

Saint Otilia from Plenarium, Plate 27 from Woodcuts from Books of the 15th Century, c. 1483, portfolio assembled 1929

Unknown artist

A work made of oil on canvas.

Portrait of an Artist, c. 1830

Ary Scheffer

Lever House: Model

Lever House: Model, 1947/52

Skidmore, Owings & Merrill

A work made of chestnut and oak.

Side Chair, 1825–75

Artist unknown

A work made of maple and leather.

Side Chair, 1722–44

Artist unknown

Photo collage of two small circular portraits of men, superimposed over shadowy abstract shapes.

Untitled, 1923

El Lissitzky

A work made of oil and sand on four joined canvases, with artist's painted frame.

Corpse and Mirror II, 1974/75

Jasper Johns

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