Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood and pigment.

Headrest (Musawu), Late 19th to early 20th century

Yaka

A work made of oil on canvas.

Chartres Cathedral, 1930

Elie Lascaux

A work made of oil on canvas.

Portable Garbo, 1941

Wilhelm Freddie

Tile

Tile, 1680–1800

Talavera Poblana

A work made of oil on canvas.

Blue Rhythm, 1950

Hans Hofmann

A work made of oil on canvas.

The Rapidity of Sleep, 1945

Yves Tanguy

A work made of earthenware?, enamel, and gilding.

Moon Flask, 1871

Minton's Art Pottery Studio

A work made of black and white photographic prints..

Works Progress Administration: Federal Art Project Photographs, 1930s

WPA Federal Art Project

A work made of color woodblock print; oban.

Oumayagashi, from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of oil on canvas.

The Solemn Pledge, Taos Indians, 1916

Walter Ufer

A work made of color woodblock print; hosoban, mizu-e.

The Maple Festival (Momiji no ga) from chapter 7 of The Tale of Genji, early 1760s

Kitao Shigemasa

Painting of an arid landscape in blue, beige, and gray. At left, a dark figure-like form sits atop a beige archway, two gray kidney shapes below it.

Untitled (Dream of Venus) formerly Visions of Eternity, 1939

Salvador Dalí

A work made of acrylic on canvas.

Sally Slips Bye-Bye, 1972

Jim Nutt

A work made of earthenware with green lead glaze.

Wellhead with Dragon Heads, Eastern Han dynasty (A.D. 25–220)

A work made of oil on canvas.

A Magdalen, c. 1896

Walter MacEwen

Shiny silver cup with lid, two handles with leaf designs

Two-Handled Covered Cup, 1698–1720

Cornelius Kierstede

A work made of wood and metal.

Male Face Mask (N'tomo), Late 19th or early 20th century

Bamana

A work made of color woodblock print; oban.

Lake Chuzenji, Nikko (Nikko Chuzenjiko), 1930

Kawase Hasui

A work made of wood, raffia, and pigment.

Helmet Mask (Kholuka or Mbala), Late 19th-early 20th century

Yaka

A work made of etching, burnished aquatint and drypoint on ivory laid paper.

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

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